Teatro Valle steht vor dem Aus

Das demokratisch organisierte Theater, das sich von Beginn an selbst finanziert hat, wird nach drei Jahren der Besetzung zur Räumung des historischen Theaterbaus aufgefordert.

Sämtliche Unternehmungen des Teatro Valle sind kostenlos und werden durch freiwillige Spenden unterstützt. Die knapp 6000 Stiftungsmitglieder der "Fondazione Teatro Valle Bene Comune", der privaten "Stiftung Teatro Valle gemeinsames Gut", bestehend aus Theatermachern und Bürgern der Stadt, setzten sich drei Jahre lang für den Erhalt der auf den Prinzipien der Demokratie basierenden Theaters ein. Sie ernteten damit den Zuspruch der römischen Theaterbesucher eine der interessantesten Bühnen der italienischen Hauptstadt zu bilden.

The commons “Italian Style” must continue their experimentation!
An International call to protect the Teatro Valle Foundation from Eviction.

Text by Ugo Mattei, Professor at The University of California, Hastings and Università di Torino

Since June 14 2011, a community of artists and militants has transformed the Teatro Valle, the oldest and most prestigious in Rome, then at high risk of privatization, into the “Teatro Valle Occupato”, one of the most advanced experiments of merger between political struggle and performing arts in the current world. A trust-like legal entity, the “Fondazione Teatro Valle Bene Comune” was created in the interest of future generations, with a membership of almost 6.000 people by a genuinely new process of cooperation between some well-known jurists and the Assembly of the occupants. While a notary has recognized the Foundation, the Prefect of Rome has denied its moral personality on the assumption that possession was not a sufficient title on the Valle premises.

Nevertheless, in three years the occupation, though formally never authorized, has succeeded in becoming a new institution of the commons, studied by scholars worldwide and the object of many publications. Because no authority in Rome has ever asked the occupants to leave and the municipality has paid the energy bill (roughly 90.000 Euros per year), it would be difficult to deny that the occupation was largely tolerated (even by the previous post-fascist major). Certainly the occupants have taken very good care of the ancient Theater, including paying for small renovations, and have generated three years of exceptionally interesting shows, performances, meeting, educational programs that the population could attend on the basis of a donation system according to the possibilities of each one. The Valle experience has also inspired similar actions to protect theaters and public spaces through Italy; it is promoting a nation-wide experiment of codification of commons institutions involving some twenty of the leading academic lawyers in Italy; it has produced its own shows performed Europe-wide and has attracted to the Valle some of the best-known artists and intellectuals in Europe.

The European Cultural Foundation, among others has granted the prestigious Princess Margritt Award to the Teatro Valle and the ZKM of Karlsruhe has devoted to that experience a stand in a recent major International exhibition on social movements worldwide.

After the European Elections last May, possibly as a consequence of an ill-conceived legalistic stance by the new Government, early negotiations to settle the dispute concerning the title to the Theater have been suddenly terminated as the Assessor of Rome responsible for culture in Rome has been removed and not replaced. As a reply to the Foundation request to resume negotiations, the new major of Rome, a member of the ruling Democratic Party and a well-known academic doctor, has released two days ago a statement asking the occupants to leave, threatening police intervention and proposing a public auction to privatize the management of the space.

This cannot happen! The city of Rome, as a cultural center of the world deserves a better solution to the Valle issue. We strongly plea the Italian political authorities to look for a method which facilitates rather than repressing institutional and cultural experiments to run the commons.

Petition signed by

Ugo Mattei, Professor, The University of California, Hastings and Università di Torino.

Salvatore Settis, Accademia Nazionale dei Lincei.

David Harvey, Author and Distinguished Professor at the Graduate Center of the City University of New York

Slavoj Zizek, international director of the Birkbeck Institute for the Humanities

Étienne Balibar, Distinguished Professor of French & Italian and Comparative Literature at the University of California Irvine.

Michael Hardt, Professor of Political Literature at the European Graduate School in Saas-Fee, Switzerland

Costas Douzinas, Professor of Law, Pro-Vice Master for International Links and Director of the Birkbeck Institute for the Humanities

Peter Weibel, CEO ZKM | Center for Arts and media

Freddy Grunert, Curator, Secretary general SEJF Foundation

Sasa Dobricic,  Professor University Nova Gorica (UNG and ETCAEH Program),

Lynn Hershman, Artist and filmmaker, Distinguished Director at The New School, New York

Fabrizio Tamurini PhD, Astrophysicist

Clemens V. Wedermeyer, Artist

David Bollier, Author of “Think Like a commoner”, University of Southern California

Tom Kerns, PhD, Executive Director, Environment and Human Rights Advisory

Sandro Mezzadra, Università di Bologna

Tomaso Montanari, Università degli studi di Napoli Federico II

Penelope Simons, University of Ottawa

Anna Grear, University of Waikato, New Zealand.

Burns H Weston, Bessie Dutton Murray Distinguished Professor of Law Emeritus    Senior Scholar & Founder, UI Center for Human Rights (UICHR)

Aled Dilwyn, Norwegian Centre for Human Rights University of Oslo

Upendra Baxi, Emeritus Professor of Law University of Warwick

Donald K. Anton, Professor of Law Chair, The ANU Press Editorial Board (Law)

______________________

Anmerkungen

Zur Website von Teatro Valle: http://www.teatrovalleoccupato.it

Teatro Valle war Teil der Ausstellung global aCtIVISm, 14. Dezember 2013 – 30. März 2014 im ZKM | Karlsruhe
Informationen zur Ausstellung: www.global-activism.de