The first Renaissance did not take place in Europe, but in Mesopotamia. Arabic-Islamic culture functioned – from a media-archaeological point of view – as a mediator between classical antiquity and the early Modern age in Europe. As part of the exhibiton »Exo-Evolution« and on the basis of outstanding examples, the exhibition explores the rich and fascinating world of the automata that were developed and built during the golden age of the Arabic-Islamic cultures, the period from the early 9^th to the 13^th century.

The machines to glorify God Almighty draw mainly on the traditions of Greek Alexandria and Byzantium. They introduced spectacular innovations, which did not emerge in Europe until the Modern era: permanent energy supply, universalism, and programmability. For the first time, four of the master manuscripts of automata construction from Baghdad, Northern Mesopotamia, and Andalusia are on show together: the al-Jāmi^c bayn al-^cilm wa-’l-^camal an-nāfi^c fī ṣinā^cat al-ḥiyal [Kompendium on the Theory and Practice of the Mechanical Arts] by Ibn al-Razzāz al-Jazarī (1206 CE), the Kitāb al-asrār fī natāʾij al-afkār [The Book of Secrets in the Results of Ideas] by the Andalusian engineer Aḥmad ibn Khalaf al-Murādī, the Kitāb al-ḥiyal [Book of Ingenious Devices] (about 830 CE) by the Banū Mūsā ibn Shākir and the treatise al-Āla allatī tuzammir bi-nafsihā [The Instrument Which Plays by Itself] (850 CE), a masterpiece of all modern programmable music automata.

Furthermore, the exhibition shows two reconstructions of legendary artifacts: Al-Jazarī’s masterpiece among his audiovisual automata, the so-called Elephant Clock – a spectacular object for hearing and seeing time –, and the programmable music automaton by the Banū Mūsā as a functioning mechatronic model.

»Anyone who thought that robotics were an invention from the recent past should take a look at these pioneering machines of this unbelievable exhibition of automatic machines, which were designed and built in the Arabic world between 800 and 1200 A.D.«

– Daniel Birnbaum, director of the Moderna Museet Stockholm, speaking about the Allah’s Automata exhibition at the ZKM, in: Artforum International, December 2016

Credits

• Siegfried Zielinski (Curator)
• Eckhard Fürlus (Co-Curator)
• Daniel Irrgang (Co-Curator)
• Judith Bihr (Project management)

Exhibitions team

Ayhan Aytes and George Saliba
Exhibition architecture: Stadelmann Schmutz Wössner, Berlin / London

Organization / Institution

ZKM | Karlsruhe

Partners

• Biblioteca Apostolica Vaticana
• Biblioteca Medicea Laurenziana, Florenz
• Bibliothek des Karlsruher Instituts für Technologie (KIT)
• Handschriftenabteilung der Bibliotheca Apostolica Vaticana, Rom
• Humboldt-Universität zu Berlin, Universitätsbibliothek
• 1001 Inventions Limited, London
• Konya Science Center, Bursa
• Leonardo3, Mailand
• Library of Congress, Washington, D.C.
• Staatsbibliothek zu Berlin, Stiftung Preußischer Kulturbesitz, Universitäts- und Forschungsbibliothek Erfurt/Gotha
• Technische Universität Berlin, Universitätsbibliothek
• The British Library London
• Topkapı Sarayı Library, Istanbul
• Ulrich Alertz
• Universitätsbibliothek Heidelberg
• Universiteitsbibliotheek Leiden
• Universitätsbibliothek Tübingen