Giga Hertz Award 2019: Award Ceremony
The 2019 Giga Hertz Grand Prize, endowed with 10,000 euros, goes to Éliane Radigue, Artemi-Maria Gioti, Hongshuo Fan, Panayiotis Kokoras and Otto Wanke this year.
Éliane Radigue's artistic work and career are characterised by a number of peculiarities that guarantee her a special position among the composers of electronic music. As one of the few women in the Studio d'Essai, she managed to work as a composer despite the adverse circumstances and later build an international career. The three-hour work »Trilogie de la Mort« composed between 1990 and 1998 became one of her most famous works. The jury was convinced by Éliane Radigue's consistent and continuous compositional achievement, which approaches the smallest degrees of change like a microscopy of time and sound.
Giga Hertz Production Award
From over 100 international submissions, the jury also nominated two outstanding works: This year's production prizes worth €5,000 will be awarded to the composer and machine learning expert Artemi-Maria Gioti for her composition »Imitation Game«. Artemi-Maria Gioti describes her piece as: »Man and machine are equal partners who influence each other and adapt to each other's actions«. The composer brings AI, machine learning and robotics into her music-making in a humble, touching and very human way. The second production prize, also combined with prize money of € 5,000, goes to the sound artist and multimedia composer Hongshuo Fan for his piece »Handwriting« in the field of live electronics and video. In this interactive multimedia performance piece, the elegant calligraphic gestures of a performer drive rich and dynamic sound and image, which unfold in a sophisticated structure over the piece.
In addition, two Honorary Mentions will be announced for the first time this year. The first honorary award goes to the Czech composer Otto Wanke with his extraordinary piece (»...in...«). The historical-discursive foundation of his approach lies in the fact that Wanke draws on historical models of the avant-garde and reinterrogates them for the present. The second prize of honour goes to Panayiotis Kokoras (»Rhino«) for baritone, saxophone and electronics. Kokoras comments on his work by explaining his way of working: »Periodicity is irreplaceable; it enables a stop to musical speech, a state of suspension of time...«.
ZKM | Video Studio
Kamera: Güzide Coker, Peter Müller, Christina Zartmann
Schnitt: Andy Koch, Lisa Michel
Sound engineer: Sebastian Schottke
Audio Recording and Audio engineering: Jakob Schreiber