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Armin Linke

Year of birth, place
1966, Mailand, Italy
lives and works in
Berlin, Germany
Role at the ZKM
Artist of the Collection

As a photographer and filmmaker Armin Linke is working on an ongoing archive about human activity and the most varied natural and man-made landscapes. He tries to document scenes where the boundary between fiction and non-fiction blurs or becomes invisible.

Group Exhibitions (selected)
2000 7th Mostra Internazionale di Architettura, Biennale di Venezia, Venezia
  »Voilà: Le Monde dans la Tête«, Musée d'Art Moderne de la Ville de Paris, Paris
2001 »The Overexcited Body«, SESC Pompeia, Sao Paulo Bienal de Valencia, Valencia
2002 »L'Immagine Ritrovata«, Museo Cantonale d'Arte, Lugano; 25th Bienal de São Paulo
2003 »Solid Sea, Odessa/The World«, Spazio Lima, Milano
  50. Esposizione Internazionale d'Arte, Biennale di Venezia, Venezia
  »Territories«, Witte de With, Rotterdam
  »Territories«, Kunstwerke, Berlin
  »Transparent«, Museo Nazionale delle Arti del XXI secolo, Roma
  »Geography and the Politics of Mobility«, Generali Foundation, Vienna
2004 »Nuit Blanche«, Art Public Contemporain, Paris
  »Fragmentos e Souvenirs Paulistanos« vol. I, Galleria Luisa Strina, Sao Paulo
  9. Mostra Internazionale di Architettura Biennale di Venezia,Venezia
2005 »La Dolce Crisi«, Villa Manin, Codroipo (Udine)
  »Herzog & de Meuron An Exibition«, Tate Gallery, London
  »Galleria in Galleria«, Metropolitana di Milano, Milano
  »Making Things Public«, ZKM⎥Center for Art and Media, Karslruhe
  »Lo Sguardo Italiano«, Rotonda della Besana, Milano
  • Ein weißes Buchcover mit schwarzer Schrift und einem schwarzen Quadrat.
    • Felix Mittelberger, Sebastian Pelz, Margit Rosen and Anselm Franke (Eds.)
    • Maschinensehen
    • Spector Books, Leipzig, 2013
    • Exhibition catalog, Anthology
    • Language: German
    • Countless camera eyes and sensors are trained on the world today. They capture land masses and seafloors, the surfaces of plants, the bodies of humans and animals, and the composition of the atmosphere. Complex computation processes translate the...

  • Cover der Publikation »You_ser 2.0«
  • Cover der Publikation »You_ser (English)«
  • Cover der Publikation »Making Things Public«
  • Cover der Publikation »Making Things Public«
    • Bruno Latour and Peter Weibel (Eds.)
    • Making Things Public
    • MIT Press, Cambridge, Massachusetts, 2005
    • Exhibition catalog, Anthology
    • Language: English
    • “Back to things!” – This is the new motto of what Bruno Latour and Peter Weibel call an “object-oriented democracy”. For the more than 100 writers, artists, and philosophers assembled in this groundbreaking editorial and curatorial project,...

  • Cover der Broschüre: Foto eines Serverraums
    • Infosphäre
    • ZKM | Zentrum für Kunst und Medientechnologie, Karlsruhe, 2015
    • Exhibition brochure
    • Language: German
  • Cover der Zeitschrift »Kunstforum«: Zwei Personen stehen vor einer Projektion, die Sonnenerruptionen zeigt.
  • Cover der Broschuere »Reset Modernity«: Schrift auf rotem Grund
    • Reset Modernity! Field Book
    • ZKM | Zentrum für Kunst und Medientechnologie, Karlsruhe, 2016
    • Exhibition brochure
    • Language: German and English
    • How to use this field book

      This field book will be your companion throughout your visit.  The path through the show is divided into six procedures, each allowing for a partial reset.  Each page has a letter corresponding to one of these...

  • Schwarze Titelseite mit pink und weißer Schrift. Weiße Codes im Hintergrund.
    • Peter Weibel (ed.)
    • Open Codes. Living in digital worlds
    • ZKM⎪Zentrum für Kunst und Medien Karlsruhe, 2017
    • Exhibition brochure
    • Language: German
    • ___________________________

      Table of contents

      Editorial 2: Peter Weibel 2
      Open Codes 101: Exhibition Manual
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