Festival
Limit Experiences of Electronic Music in the Context of Iannis Xenakis’ Work
Thu, May 31 – Sat, June 02, 2012
Lecture Hall
Cube
Context: Where does the motivation for a tool such as UPIC come from?
History: We will have a short look at the history of the UPIC, and then at ten years of software innovations in a post-CEMAMu world.
Today: What tools do we dispose of now, when thinking graphically about sound?
Tomorrow: Xenakis ideas were generally implemented in separate, independent programs. We will dicuss about integration two of them, sieves and stochastic sound, into a graphical editor.
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