- Olivier Krischer is an art historian and writer, and currently a postdoctoral fellow with the Australian Centre on China in the World at the Australian National University. His research concerns art and social engagement across East Asia, as well as modern and contemporary China–Japan relations through art. In 2013 he convened the symposium Tilting the World: Modern and Contemporary Histories of Asian Art (Art Gallery of New South Wales, University of Sydney), and in 2011 curated »After Effect« at the 4A Centre for Contemporary Asian Art, Sydney. He has also been the managing editor of »ArtAsiaPacific« magazine in Hong Kong (2011 – 2012).
[Last update: September 2015]