BS DC Import ID
node:40785
BS DC Import Time

The Colloquy of Mobiles

1969
© Estate Gordon Pask; Photo © Photo: Paul Pangaro
Title
The Colloquy of Mobiles
Year
1969
Category
Installation
Computer-based
Format
Sound Installation
Light Installation
Material / Technique
interactive, computer-based Installation; aluminum, fabric, plastic, fiberglass; 6 gears, 9 servo motors, 11 photocells, 5 microphones, LED lights, 5 speakers with amplifier; 6 control units: Arduino Pro Mini 16MHz and OpenCM 9.04, software: Processing, Arduino, OPEN CM driver

Reconstruktion: Paul Pangaro, TJ McLeish
Dimensions / Duration
ca. 300 x 305 x 366 cm
Contributors
technische Leitung (Rekonstruktion)
wissenschaftliche Beratung (Rekonstruktion)
electronics
electronics
Collection
ZKM | Center for Art and Media, gift of Paul Pangaro
Description
The »Colloquy of Mobiles« was created in 1967–1968 on the occasion of the legendary computer art exhibition »Cybernetic Serendipity« at the Institute of Contemporary Arts (ICA) in London. The British cybernetician Gordon Pask conceived the work as a social system of five computer-controlled mobiles that converse with each other via light and sound.
The interactions between the mobiles can be seen as chit-chat at a cocktail party or as a stylized courting ritual of a strange animal species. The ‘males’ emit a beam of light with the goal of finding a ‘female’ whose mirror reflects the light back to the ‘male.’ Visitors can engage in the conversation with the help of flashlights and mirrors.
The historical significance of the »Colloquy of Mobiles« is that it is the first example of machines conversing with machines. It originated from Pask’s cybernetic framework that explains learning in both living organisms and machines. The fundamental idea of his later “conversation theory" is that learning occurs through conversations that lead to shared understanding.
The »Colloquy of Mobiles«, now in the ZKM collection, is a replica that recreates the appearance and behavior of the original using modern digital technology. The reconstruction was initiated in 2018 on the occasion of the work’s 50th anniversary by Paul Pangaro and realized together with TJ McLeish.

Author

Margit
Rosen

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