Hildur Ingveldardóttir Guðnadóttir
Feminale of Music
Hildur Guðnadóttir evades labelling and ignores traditional genus boundaries. For years she has been experimenting with computer-aided processing of cello sounds and new playing techniques. However, when critics are tempted to categorize her music »[...] somewhere between Arvo Pärt, Brian Eno and drone metal.«
Hildur Guðnadóttir was born on September 4, 1982 in Reykjavik, Iceland. Today she lives and works in Berlin. Hildur Guðnadóttir began playing the cello at the age of five. Later she studied cello, electroacoustics and composition and new media at the Icelandic Academy of Arts and the Berlin University of the Arts. After her stay in Berlin, she first went back to Iceland to engage in the younger art and music scene there. Here she is active in various projects, for example she plays in the bands Múm and Angel. Furthermore, together with Jóhann Jóhannsson »Kitchen Motors« she runs a fusion of label, think tank and artist collective. In 2007 she releases her debut album »Mount A« under the name »Lost in Hildurness« on the Icelandic label 12tónar, followed by her second album »Without Sinking« in 2009 and »Leyfðu Ljósinu« (2012) and »Saman« (2014) on the British label Touch. She is now under exclusive contract with Deutsche Grammophon.
Since 2011 she has also been working as a composer for various film and television productions. Particularly noteworthy are the soundtracks for Sicario 2 (original title Sicario: Day of the Soldado) and Joker as well as for the HBO series Chernobyl. For Chernobyl she received the 2019 Emmy and Grammy in the category »Best Composed Soundtrack for Visual Media«, making her the only single woman to date to receive an award in this category. For the soundtrack of Chernobyl, Guðnadóttir went to a Lithuanian nuclear power plant to record sounds and noises, which she later processed. She herself calls this »fact-based music«.
The music for Joker was awarded an Oscar at the Academy Awards 2020 for »Best Film Music«, which hasn't been awarded to a woman in 20 years. At the Golden Globes she was honored in the category »Best Original Music (Film)«. This makes her the first woman to win a Golden Globe since the category was introduced in 1947.
Music Pieces
Composition for halldorophone#5, published, conceived and edited by Halldor Ulfarsson: Composed and performed live by Hildur Guðnadóttir at the FAIR Residence in Copenhagen 2009, curated by Stine Hebert, filmed at Fabrikken for Art and Design and Frederiksborg; Sophia Olson (cinematography), Sylvester Holm (live sound recording)
Unveiled, released by and composed by Hildur Guðnadóttir from the album »Without Sinking«. Artists: Hildur Guðnadóttir, Skuli Sverrisson, Guðni Franzson, 2009 Touch, under exclusive license from Deutsche Grammophon GmbH, Berlin
Bridge Of Death (from the soundtrack of the TV series »Chernobyl«), released by and composed by Hildur Guðnadóttir, 2019 HBO, under exclusive license from Deutsche Grammophon GmbH, Berlin
Call Me Joker, released by WaterTower Music from the original soundtrack of »Joker«
Talk
The »Chernobyl« composer created a whole haunting composition of real power plant sounds published by Epicleff Media: Hildur Guðnadóttir explains her unique process of creating the entire score of the HBO mini-series from sounds she and her team recorded in a real power plant in Lithuania.
Disclaimer
-
Links to external websites of other providers
The ZKM’s express objective is the accuracy and current relevance of any information it makes available on this web site. Mistakes and ambiguities cannot, however, be fully excluded. For this reason, the ZKM is unable to fully guarantee the current relevance, accuracy, completeness or quality of the information it makes available. The ZKM is not subject to coercible legal rules and regulations and to any kind of damages of a material or immaterial nature that may possibly be caused by the use or non-use of the information provided, including free downloads. The ZKM reserves the right to change or delete, to temporarily or permanently suspend access to the web sites at any time.
The responsibility for »external content« to which access is made, in the form of e.g., links, presupposes, among other things, positive knowledge of illegal or punishable content. The ZKM has no influence on this external content and entirely distances itself from such content. Should the displayed external web site include unlawful or offensive content, the ZKM expressly distances itself from such content. When made knowledgeable of such content, the ZKM will deactivate the corresponding link. The same holds for external entries contained in Blogs and discussion forums, links directories, mailing lists and all other forums of databanks operated by the ZKM, the content of which is rendered possible via write access.
All content of the present web site (texts, images, video stills, videos, audios, graphics etc.), the structure as well as the layout of this web site is protected by copyright. These contents, and the information made available by the ZKM (e.g., text and image materials) are available exclusively for individual usage by users of this web site, and not for commercial purposes. These contents may be distributed and copied, made public on the Internet and used for commercial purposes only with the prior consent of the ZKM. Similarly, the placing of deep links, inline links, frame links or similar links in which the ZKM web site is not clearly evident as source, is permitted only with the prior consent of the ZKM. Messages and references to content »share« in social media (e.g. Facebook) do not come under the proviso of this reserve approval. For press releases and photographs valid instructions for usage can be found at: www.zkm.de/en/press/service.
All labels and trademarks named and protected by third parties are subject to the unreserved stipulations of the respective registered owners. That trademarks are not protected by third part rights cannot be assumed merely by mention of the name.
This disclaimer is to be understood as part of the ZKM’s Internet content. In so far as part or single formulations of this text do not, are no longer or are do not entirely correspond to this legal provision, the remaining parts of this document remain unaffected in its content and validity.
