Magazine Search Search D7 blog Search term Year Min Max Sort options Sort Newest first Oldest first Wir trauern um Armin Köhler Gravity in Slow Motion – »Force« by Kohei Nawa Is the sombre rain solid or fluid? Is it falling or is it standing still? These questions are difficult to answer just by looking. Jacob Birken zu »ARTandPRESS« the big picture A robot arm, an uninterrupted line extending hundreds of kilometres, 900 million movements, 2,000 positionings of the canvas – this is the origin of »the big picture«. JHQ Rheindahlen. Blaffert & Wamhof Schmuckstücke aus vergangenen Zeiten Future Apps – ZKM is presenting the annual AppArtAward Denise Rothdiener zu »ARTandPRESS« Interview mit Valerio de Bonis und Giulio Colangelo Lebenswerk-Echo für YELLO William Kentridge: »More Sweetly Play the Dance« At nightfall, it becomes visible on the outer façade of the Cube, so that the exhibition extends as far as the ZKM spatially as well as in terms of time and media. Interview mit Gilles Gobeil 3D-Festival BEYOND Sasha Waltz. Ein Portrait Mit Wonder Woman bei der Arbeit Rescued by letter-writing When writing, she learned to distinguish what was so important to herself that it had to be written down. She learned to find out what only concerned her. Interview mit dem Künstler Prof. Dieter Jung Materialised Pictures When you scroll through your dashboard on Tumblr, you never know when something is art and when it’s not. Im Gedenken an Wolf Pehlke »Das Unsichtbare sichtbar machen« Postkarten aus der Ausstellung 3D Brillen und interaktive Werke In Memory of Onno Onnen (1930-2018) Marcus Steinweg: Philosophische Diagrammatik Pagination First page « First Previous page ‹ Previous Page 1 Page 2 Page 3 Page 4 Page 5 Current page 6 Page 7 Page 8 Page 9 Next page Next › Last page Last »
Gravity in Slow Motion – »Force« by Kohei Nawa Is the sombre rain solid or fluid? Is it falling or is it standing still? These questions are difficult to answer just by looking.
the big picture A robot arm, an uninterrupted line extending hundreds of kilometres, 900 million movements, 2,000 positionings of the canvas – this is the origin of »the big picture«.
William Kentridge: »More Sweetly Play the Dance« At nightfall, it becomes visible on the outer façade of the Cube, so that the exhibition extends as far as the ZKM spatially as well as in terms of time and media.
Rescued by letter-writing When writing, she learned to distinguish what was so important to herself that it had to be written down. She learned to find out what only concerned her.
Materialised Pictures When you scroll through your dashboard on Tumblr, you never know when something is art and when it’s not.
