Fanny Hensel
Feminale of Music
Female composer and abbess – the multifaceted life of Princess Anna Amalia of Prussia characterizes the passionate musician and notation collector.
Anna Amalia is born on November 9, 1723 in Berlin, Germany. She is the youngest daughter of the Prussian »Soldier King« Friedrich Wilhelm I and Queen Sophie Dorothea of Hanover. Although she showed interest in music in her youth, she did not receive regular music lessons until the age of 17, after the death of her father. She is mainly supported by her older brother Frederick the Great. Her most important instruments are piano and organ. Soon she also makes her first attempts at composition of her own, perhaps inspired by her older sister Wilhelmine of Bayreuth, whose greatest work, the opera Argenore, is performed in 1740.
Anna Amalia spends her whole life in Berlin. In 1755 she becomes abbess of the monastery in Quedlinburg and thereby gains financial independence. In 1758 she hires the musician and music theorist Johann Philipp Kirnberger as court musician and music teacher, who will hold this position for almost 30 years until the end of his life. Kirnberger is a sworn follower of Johann Sebastian Bach, whose music was already considered obsolete at this time and was no longer performed. A small circle around Anna Amalia and Kirnberger remains independent of the fashions of the time and is often criticized and ridiculed for this. In Anna Amalia's circle, Bach's music and other »old« music is intensively cultivated. Anna Amalia creates a collection of sheet music which is of inestimable value in music history. Her collection plays a central role in the Bach renaissance, which began at the beginning of the 19th century with the Berlin Sing-Akademie and led to the legendary revival of Bach's St. Matthew Passion by Mendelssohn in 1829.
Music pieces
Cholera Cantata, published by and sung by Cappella Clausura conducted by Amelia LeClair, recorded at Eliot Church, Newton, MA on March 31, 2019.
Gondellied, published by Gingerstaebchen and performed by Lan Rao (soprano) and Micaela Gelius (piano)
Sonata in G minor: 2nd scherzo, published by and played by Kyra Steckeweh (piano) to be found on the CD »Vita brevis ars longa«
Il Saltarello Romano op. 6/4, published by and performed by Daniela Willimek, lecturer for piano at the HfM Karlsruhe, CD »Faszination Frauenmusik« Vol. I, piano works by Fanny Hensel, Clara Schumann, Elisabeth von Herzogenberg, Margarete Schweikert, Lili Boulanger, Myriam Marbé, Violeta Dinescu, Grazyna Bacewicz
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