N-Polytope: Behaviors in Light and Sound After Iannis Xenakis

© Chris Salter, Photo: Thomas Spier/apollovision.de
Artist/s
Chris Salter
Sofian Audry
Marije Baalman
Adam Basanta
Elio Bidinost
Thomas Spier
Title
N-Polytope: Behaviors in Light and Sound After Iannis Xenakis
Copy Number
095
Medium / Material / Technic
steel cables, microelectronics, LEDs, speakers, software
Admin Title
D7 Paragraph: r17_text / GPC_ID: 12291
Layout
flex-row-9-3 reverse

At Subspace from September 1, 2018 to October 23, 2018

This installation is a tribute to the Greek-French composer Iannis Xenakis’s radical 1960s-1970s Polytopes, the first of which premiered at Expo 67 in Montreal at the French pavilion. Reconfigured here for the ZKM_Subspace, it consists of 126 powerful LEDs and many tiny speakers suspended throughout the space on a geometric »ruled surface« constructed of thin aircraft cable, creating a light and sound environment that swings continually between order and disorder and echos Xenakis’s original fascination with the behaviors of natural systems.

The installation is steered by means of a wireless sensor network that uses machine learning techniques to »learn« different rhythmic and temporal patterns produced by the light and sound, and influences the overall compositional action over time.

N-Polytope is by no means a recreation of Xenakis’s Polytopes, but rather a re-imagining that explores how Xenakis’s interest in probabilistic (so-called »stochastic«) systems can be made sense of and kept alive today using new technologies that were unavailable to the composer during his lifetime.

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