Daniela Angelucci

Year of birth, place
1973, Rome, Italy

Daniela Angelucci is associate professor of Aesthetics at University Roma Tre. Her early work is on phenomenological aesthetics and philosophy of literature. Her main interests are aesthetics, theory of images, philosophy of art (particularly philosophy of film), and psychoanalysis.

She pursued an MA in Philosophy from University Roma Tre in 1998. Then, she earned her PhD at University of Palermo in 2002. From 2003 until 2005 she obtained a grant for Research about Deleuze, at Department of philosophy, University Roma Tre. From 2006 until 2010 she taught Aesthetics of Cinema at University of Calabria. From 2006 until 2014 she was Senior lecturer in Aesthetics at Department of philosophy, University Roma Tre.

Since 2003 she collaborates assiduously to the Encyclopedias edited by Istituto della Enciclopedia Italiana (Treccani). She is managing editor of the review »Lebenswelt. Aesthetics and philosophy of experience«, and staff member of »Fata Morgana. Quadrimestrale di cinema e visioni«. She is member of the editorial board of the series »Estetica e critica« (Quodlibet) and »Colloquia philosophica« (University Roma Tre Press), and member of Scientific Committee of the journal »La Deleuziana«. Since 2014 she is a member of the Presidency Board of SIE (Società Italiana di Estetica). In 2016 she organized in Rome the 9th Deleuze Studies Conference (11-13 July) and Deleuze Studies Camp (4-8 July).

Main publications: »Arte e Daimon« (ed.), Quodlibet, Macerata, 2002; »L’oggetto poetico« [The poetic Object], Quodlibet, Macerata, 2004; »Estetica e cinema« (ed.), Il Mulino, Bologna, 2009; »Deleuze e i concetti del cinema«, Quodlibet, Macerata, 2012 (Engl. translation »Deleuze and the concepts of cinema«, Edinburgh University Press, Edinburgh 2014); »Filosofia del cinema«, Carocci, Roma, 2013.

She has further published, among many others, the following essays: "Impossible to see at human eyes: from photogeny to pyrotechnical cinema", in  »International conference on Philosophy and Film e-Proceedings«, ed. M.T. Teixera, S. Viegas, 2014, 1, pp. 108-116; "Lo sguardo senza invidia. Il cinema e la maschera dell’io ideale", in »Fata Morgana. Quadrimestrale di cinema e visioni«, 2014, 22, pp. 57-65; "Identità, analisi, risonanza. Sul rapporto tra filosofia e cinema", in »Fata Morgana. Quadrimestrale di cinema e visioni«, 2015, 26, pp. 155-165; "Le disavventure della memoria: Bergson, Deleuze (e Welles)", in »Oblio«, a cura di W. Procaccio, Cronopio, Napoli, 2016, pp. 133-152.