Group 1 | The Real and the Reproduction of Reality

B

Rok Benčin

»Cuts in the Universal Undulation | Deleuze, Badiou and the (Anti)Representational Event(s)«

Lucy Benjamin
»Authenticating Reality | The Return of Black and White Cinema«

Johannes Bennke
»The documentary real | The Films of the Sensory Ethnographic Lab and the conversion of Media Philosophy«

Thorsten Botz-Bornstein
»The Reality Problem in Tarr’s Werckmeister Harmonies«

C

Emre Caglayan

»Realism Reconsidered: Slowness as Real Time Cinema«

Nina Cvar

»From Passion towards the Real to Plastic Image | Spectres of Reality of Neoliberal Global Capitalism«

D

Matt Dill

»Reviving Bazin’s Re-Presentationalist Realism | A Response to Carroll’s Critique«

G

Sara Tiago Gonçalves

»Bazin and Arnheim | a discussion between realism and illusionism in cinema«

H

Idis Hartmann

»The bullet-time effect in The Matrix from a systemic perspective«

J

Karin Janker

»Images of Reality and the Dream of Total Cinema«

Blandine Joret

»From "showing" to "signifying" | Stereoscopy and the "Language of Objects"«

M

Natalija Majsova

»When Wolves Live up to Love | Sigarev’s Events and their Cinematic Worlds«

Matthew McGinity

»Alien modes of being-in-the-world and the phenomenology of virtual reality«

Ana Dishlieska Mitova

»Philosophical Film Festival | Promoting Dialogue between Philosophy and Film in Macedonia«

N

Bogdan Nita

»The (neutral) reality of film between will-to-be and will-to-exist«

Glen W. Norton

»Stanley Cavell | Temporality, Perfectionism and the Cinematic "Lebenswelt"«**

R

Mahmoud Rasmi

»Cinematic Imagery and the Return to Reality | A Peak into the Tarkovskian Zone«

Marko Rojnić

»The illusion of reality of cinematic motion«

S

Jasmina Šepetavc

»The Queer Event | Queer Temporalities & New Queer Cinema«

Emoke Simon

«The difference between fiction and documentary«

Mario Slugan

»Why Analog Photography Enjoys Privileged Access to Reality | Bazin’s Identity of the Model and Its Photograph as an Alternative to Indexicality«

Martin Stefanov

»The Recreation of the Real. Montage in Benjamin, Adorno, and Deleuze«

V

Goran Vranešević

»Cinema: Reality of Beauty«

W

Birk Weiberg

»From Studio Spaceto Globalized Space | Aestheticsand Practicesof Analog Image Compositing«