The Art of Generative Thinking
Portrait of the artist Manfred Mohr. In the background black and white photos showing the artist in 1971.
Manfred Mohr in Conversation
Tue, October 12, 2021 6 pm CEST, Talk
Language: English

In the series »The Art of...« ZKM invites artists from the collection to talk about topics of their choice. With Manfred Mohr (*1938, Pforzheim), an artist has accepted the invitation who left traditional painting at the end of the 1960s in order to investigate the essence of the creative process by means of computer and to thereby arrive at new, complex forms.

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Manfred Mohr is one of the world's best-known pioneers of digital art, who made history with the solo exhibition »Computer Graphics. Une ésthétique programmée« at the Musée d'Art Moderne de la Ville de Paris in spring 1971.

When Mohr decided in 1969 to exchange brush and canvas for computer and plotter, artists and art critics reacted with astonishment. Much had been reported in the press about the new technology since the 1950s, yet the computer was far from being a medium  familiar to the public. For what reason should a painter who had successfully established himself in the Paris art world leave everything behind to explore the possibilities of this technology for the arts?

The conversation is devoted to the artist's journey from the tachist beginnings of his student days, hard-edge painting to generative art. How was he influenced by the painter K. R. H. Sonderborg? What was the role of philosopher Max Bense, who promoted a rational art of "technical existence," or of the composer Pierre Barbaud, who was one of the pioneers of computer-generated composition in France? Manfred Mohr's work invites a conversation about jazz, serial music, information aesthetics, technical imagery, meteorology, n-dimensionality and the fascination of generative thinking.


Manfred Mohr, Artist of the ZKM Collection
Margit Rosen, Leiterin der Abteilung Wissen – Collections, Archive & Research

The Art of...

A new monthly series of events offering insights into the ZKM's collections, archives, and research in exchange with artists, theorists, curators, and conservators.

Wissen – Collection, Archives & Research

The ZKM's collection as well as its archives are unique in their specific focus on the electronic and intermedial arts of the 20th and 21st centuries.

Restoration of Electronic and Digital Art

The ZKM has special expertise in the conservation and restoration of kinetic art, sound art, video art and computer-based art.

Archives of artists and theoreticians

The archives of the ZKM invite scholars and those interested in art and music to develop new perspectives on the art of the 20th and 21st centuries from books, journals, letters, photographs, drawings, videos and audio recordings.

The event via livestream
Organization / Institution
ZKM | Zentrum für Kunst und Medien