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From Xenakis’s UPIC to Graphic Notation Today

ZKM | Karlsruhe and Hatje Cantz, Image: Uta Kopp
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In the late 70s, an interdisciplinary team led by the composer Iannis Xenakis developed the compositional tool UPIC out of an effort to transform drawings into synthesized sound.

Together with the Centre Iannis Xenakis, the ZKM is now addressing for the first time the genesis of this unique computational instrument and traces its technical, social, institutional, and educational significance up to the current practice of contemporary composers who work with the idea of UPIC in current computer programs.

The volume with 27 richly illustrated contributions is published by Hatje Cantz. It is available both there and through the ZKM Bookshop as a print publication. In addition, it is published in its entirety as an open access version and available free of charge. On this page, the digital version is available for download as PDF, as well as audio samples and additional archive material not included in the print publication are accessible.

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From Xenakis’s UPIC to Graphic Notation Today

The digital version is available for download as PDF

From Xenakis’s UPIC to Graphic Notation Today

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»Xenakis’s UPIC to Graphic Notation Today«, herausgegeben von Peter Weibel, Ludger Brümmer und Sharon Kanach

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Peter Weibel

»The UPIC is a revolutionary composition device; a music machine that enables sounds to be generated directly via self-designed graphic structures.«

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Dimitris Kamarotos, KSYME: UPIC in Greece – ten years of living and creating with the UPIC at KSYME
Additional image material for this article from the KSYME (CMRC) ― ChouPaF Unified Archives and Dimitris Kamarotos Archive

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Peter Weibel

»Music is the mother of all time-based arts and therefore plays a special role at the ZKM.«

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  1. Picture of a book. The cover is white with orange lines, on it the lettering »From Xenakis’s UPIC to Graphic Notation Today«

    The Stream

    Alfred Schnittke
  2. Picture of a book. The cover is white with orange lines, on it the lettering »From Xenakis’s UPIC to Graphic Notation Today«

    Eua’on’ome

    Julio Estrada
  3. Picture of a book. The cover is white with orange lines, on it the lettering »From Xenakis’s UPIC to Graphic Notation Today«

    Ishini’ioni

    Julio Estrada
  4. Picture of a book. The cover is white with orange lines, on it the lettering »From Xenakis’s UPIC to Graphic Notation Today«

    Canto Naciente

    Julio Estrada
  5. Picture of a book. The cover is white with orange lines, on it the lettering »From Xenakis’s UPIC to Graphic Notation Today«

    The Unthinkable

    Richard Barrett
  6. Picture of a book. The cover is white with orange lines, on it the lettering »From Xenakis’s UPIC to Graphic Notation Today«

    Disquiet

    Richard Barrett
  7. Picture of a book. The cover is white with orange lines, on it the lettering »From Xenakis’s UPIC to Graphic Notation Today«

    Monodie IV

    Takehito Shimazu
  8. Picture of a book. The cover is white with orange lines, on it the lettering »From Xenakis’s UPIC to Graphic Notation Today«

    Monodie IV A

    Takehito Shimazu
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