Sub-Menu - Display - Design default Magazine Search Admin Title D7 Paragraph: r17_custom_page_header / GPC_ID: 4718 Display default Layout default-12 Search Admin Title D7 Paragraph: r17_views / GPC_ID: 51301 D7 blog Search term Year Min Max Sort options Sort Newest first Oldest first »Wer braucht denn schon Museen?« Monet’s Water Lilies in the aquarium Pierre Huyghe showcases Monet's Water Lilies in new aesthetics, thus resetting our usual visual experience. Die Gernsback-Prophezeiung Workshop-Angebot im Rahmen der »Sasha Waltz«-Ausstellung Mut zum Experiment - AppArtAward Preisverleihung Mourning for Friedrich Erwin Rentschler 30 years future laboratory ZKM: Art in Motion Werner Büttner. Gemeine Wahrheiten Rahmenprogramm zur Ausstellung "SCHRIFTFILME. Schrift als Bild in Bewegung" Dead Wombat und eine Reise nach Indonesien All das Wissen Our great artist friend Jonas Mekas passed away ARTandPRESS. Kunst. Wahrheit. Wirklichkeit. Pastewka am ZKM! 50 sprechende Lautsprecher und 5 Lichttropfen – Walter Giers ist im Alter von 78 Jahren gestorben Annika Bunse zu »ARTandPRESS« Wir sind Daten – Hommage an Bradley Manning und Edward Snowden Writers for Freedom – The global battle for freedom of speech O.R.pheus Heißer Kaffee, müde Füße und viel zu entdecken Zum Tod von Paul Panhuysen - Für Paul A 3D printer between Nefertiti and the future »Das Haus atmet immer noch seinen Geist« Reset Brasília: a tropical cartesian dream Never fully modern, never fully industrialized, it seems as if in Brazil the modern project (for better or worse) was implemented partially and unevenly across the territory, each time electing one particular front to be explored. Pagination First page « First Previous page ‹ Previous Page 1 Page 2 Page 3 Page 4 Page 5 Current page 6 Page 7 Page 8 Page 9 Next page Next › Last page Last »
Monet’s Water Lilies in the aquarium Pierre Huyghe showcases Monet's Water Lilies in new aesthetics, thus resetting our usual visual experience.
Reset Brasília: a tropical cartesian dream Never fully modern, never fully industrialized, it seems as if in Brazil the modern project (for better or worse) was implemented partially and unevenly across the territory, each time electing one particular front to be explored.
