Magazine Search Search D7 blog Search term Year Min Max Sort options Sort Datum ascending Datum descending The sound cosmos of Pierre Henry – an obituary of the Grandseigneur of modern electronic music Trauer um Manfred Reichert – den Leiter der ersten Projektgruppe des ZKM Das ZKM | Karlsruhe gestaltete den Galaabend der Ministerpräsidentenkonferenz Wie kocht man das perfekte Gulasch? ZKM Artist in Residence Fabrizio Tamburini– candidate to win the Nobel Prize? Wir trauern um den großen Künstler Otto Piene Singen, tanzen, küssen auf Appell! »Sommerloch 2012« in der Hochschule für Gestaltung Kryptographie zum Anfassen Reimagining Urban Experience Prof. Dr. Dr. h.c. Rolf Funck – Das ZKM trauert um einen Wegbereiter und Wegbegleiter 30 years future laboratory ZKM: Diving into the jungle of Amazonia Interview mit Hannes Seidl und Daniel Kötter Interview mit dem „stehenden Mann” Erdem Gündüz Pierre Boulez – Das ZKM trauert um einen Wegbereiter und Wegbegleiter Art in Motion Media art arises when one of the three conditions is fulfilled: apparative production, apparative distribution, apparative reception. These three conditions are changed by storage techniques. Arabischer Frühling: Drei Jahre danach Prof. Dr. h.c. Lothar Späth - Das ZKM trauert um einen Paten und Partner Gravity in Slow Motion – »Force« by Kohei Nawa Is the sombre rain solid or fluid? Is it falling or is it standing still? These questions are difficult to answer just by looking. Jacob Birken zu »ARTandPRESS« rosalie Wir trauern um Armin Köhler the big picture A robot arm, an uninterrupted line extending hundreds of kilometres, 900 million movements, 2,000 positionings of the canvas – this is the origin of »the big picture«. Future Apps – ZKM is presenting the annual AppArtAward Pagination First page « First Previous page ‹ Previous Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Current page 7 Page 8 Page 9 Next page Next › Last page Last »
Art in Motion Media art arises when one of the three conditions is fulfilled: apparative production, apparative distribution, apparative reception. These three conditions are changed by storage techniques.
Gravity in Slow Motion – »Force« by Kohei Nawa Is the sombre rain solid or fluid? Is it falling or is it standing still? These questions are difficult to answer just by looking.
the big picture A robot arm, an uninterrupted line extending hundreds of kilometres, 900 million movements, 2,000 positionings of the canvas – this is the origin of »the big picture«.
