inSonic 2017: Sabine Breitsameter | 3D Audio: Sculpting with Sound. Exploring Specific Production Aesthetics for a New Medium
inSonic 2017: Symposium
![i6142_18_vts_s_vx_insonic2017_immersivefuture_05_breitsameter_thumbnail.jpg](/system/files/styles/img_node_media_detail/private/field_media_video_image/2023-07/i6142_18_vts_s_vx_insonic2017_immersivefuture_05_breitsameter_thumbnail.jpg?itok=KYEsh7cD)
- Date
- -
- Duration in Seconds
- 1989
- Width
- 1280
- Height
- 720
Description
Within the framework of the INTERFACES project, co-funded by the Creative Europe Programme of the European Union, the festival »inSonic2017: Immersive Future« took place at the ZKM.
The ZKM | Karlsruhe, the Paris Institut de Recherche et Coordination Acoustique/ Musique (IRCAM) and the Karlsruhe University of Arts and Design (HfG) pursued the goal of stimulating a critical discourse on the new immersive technologies of the future: The state-of-the-art should be shown and current artistic approaches and current methods should be discussed against the background of a philosophical-aesthetic discourse. Part of the festival program was a two-day symposium on December 8 and 9.
Video documentary:
ZKM | Videostudio
Camera: Hannah Radgen
Live-Editing: Martina Rotzal
Editing: Bastian Buchgraber