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Exhibition

respektive Peter Weibel

Exhibition Documentary

i6674_19_l12_a_vh_cz_respektivepeterweibel_kurzportraitstill.jpg
Date
-
Duration
19:11

Description

On the occasion of his 75th birthday, the exhibition »respektive Peter Weibel« is showing for the first time an overview of the entire oeuvre of this internationally important media and concept artist.

Taking his twenty years’ work as chairperson of the ZKM as its starting point, the exhibition explores a selection of the vastly diverse themes developed under his aegis, such as the mechanisms of perception and thought, technical apparatus as a world in itself, the crisis of representation and the operating system of art, as well as the relationship between art, politics, and the economy. 

Video Documentary:

ZKM | Videostudio

Camera: Moritz Büchner, Andy Koch, Xenia Leidig, Christina Zartmann
Editing/Soundmix: Christina Zartmann
Voice: Rabea Rahmig
Music: Space by Doc_Med

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Exhibitions / Events

Images

  • On the left, a white installation that looks like a futuristic bar. In the background black and white images of the universe. On the right half of the picture a wall with an oversized pressure of an ear.
    Peter Weibel, View into the exhibition: »Gehörgang« 1979/2019, »Navigationssysteme« 1972/2005,
    © ZKM | Center for Art and Media Karlsruhe
    On the left a photo camera. in the middle at eye level a television screen. On the display the inscription: »Ich bin ein Apparat« (I am an apparatus). On the right there is a brown-haired woman, looking at the screen, her back to the viewer.
    Peter Weibel, »Meta-Photographie«, 1989
    © ZKM | Center for Art and Media Karlsruhe, Photo: Felix Grünschloss
    The photo shows a section of the exhibition »respektive Peter Weibel«, which shows the life's work of the artist and driving force of Viennese Actionism, Peter Weibel.
    Impressions of the exhibition »respektive Peter Weibel«.
    © ZKM | Center for Art and Media Karlsruhe, photo: Tobias Wootton
    Everything's black and white. On the left side of on the wall are three and a half framed, hanged portraits. In front, on a chair, a stringless violin. In the middle a white curtain separates the room. On the right a tendril-like black structure.
    Peter Weibel, »Wrought iron flower stand«1990, »music exhibition« 2014
    © ZKM | Center for Art and Media Karlsruhe, Photo: Felix Grünschloss
    Peter Weibel's interactive video culture: A massive black cross. Where the struts of the cross meet is a monitor. On the monitor you can see the person standing in front of the cross, stretching out his arms as if he himself was hanging there.
    Peter Weibel, »Crucifixion of Identity«, 1973
    © ZKM | Center for Art and Media Karlsruhe, Photo: Felix Grünschloss
    Peter Weibel's interactive video culture: A massive black cross. Where the struts of the cross meet is a monitor. On the monitor you can see the person standing in front of the cross, stretching out his arms as if he himself was hanging there.
    Peter Weibel, »Crucifixion of Identity«, 1973
    © ZKM | Center for Art and Media Karlsruhe, Photo: Felix Grünschloss
    A photomontage of three stripes, showing the portrait of Peter Weibel young and old.
    Photomontage of Peter Weibel's self-portrait and portrait by Felix Grünschloß, 1967–2019
    @ ZKM | Center for Art and Media, Photo: Joseph Tandl and Felix Grünschloß
    Many people photographed from above during a tour of the exhibition »respektive Peter Weibel« at ZKM.
    Open day, 2020
    © ZKM | Center for Art and Media Karlsruhe, photo: Elias Siebert
    Exhibition view »respektive Peter Weibel«
    Peter Weibel, »Video Lumina«, 1977
    © ZKM | Center for Art and Media, Photo: Felix Grünschloß

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