Group 7 | New Ways of Thinking Film

B

Anna Bergqvist

»Authenticity and the Narrative Self: Film as Temporal Gestalts«

C

Bob Kalivac Carroll and Stuart Mather Gibson

»The Unobservable Totality of Light | Reality and Prior Unity in the Videographic Image-Art of Adi Da Samraj«

Paulo Alexandre e Castro

»The limits of Zombies films are the limits of philosophy?«

F

Patricia Feise-Mahnkopp

»Transcending Reality – Perceiving the Holy? | A phenomenological analysis and reflection of Maya Deren’s documentary "Divine Horsemen"«

G

Jeeshan Gazi

»The Metaphysics of Film | The Filmic World as established by Image-Formation and Temporal Displacement«

Freddy Paul Grunert and Cristina Fiordimela

»We propose to regards films as representative for how apparatus-based imagines of reality and reality it-self as correlate«

H

Gusztáv Hámos and Katja Pratschke

»New ways of thinking film | Photofilm – Think Cinema, abstract by Gusztáv Hámos/Katja Pratschke«

Steffen Hven

»The Cinematic Narrative as "Anthropomedial Relation"«

K

Niall Kennedy

»Collaboration and the collective authorial subject in Deleuze's Cinema books«

M

Isabel Machado

»A TRAVEL INTO THE WORLD OF IMAGES«

Beja Margitházi

»Realism of Textures | CG surfaces in contemporary Hollywood blockbusters«

Q

Tomé Saldanha Quadros

»Reframing social narratives in contemporary Chinese cinema, the manipulation of the real and the reproduction of reality«

R

Ringo Rösener

»The reality of terror in fictional movies | Christopher Nolan’s "Dark Night Trilogy"

S

Stefan Schmidt

»Reality narrated through time | Andrei Tarkovsky's "The Mirror"«

Irina Souch

»Notes on Sincerityin the Russian New Wave Cinemaof the 2010s«

Grażyna Świętochowska

»László Nemes’ "Saul Fia" as genetic and formal failure or trauma realism«