„The Museum of the Third Kind“, Art in America, (2005).
The Five Myths of Television Power, Or, Why the Medium is Not the Message. Riverside, New Jersey, U.S.A.: Simon & Schuster, 1993.
„Helms, Censorship, and the Serpent“, Art in America, (May 1990).
The Museum Transformed: Design and Culture in the Post-Pompidou Age. New York: Abbeville Press Publishers, 1990.
„New York in the Next Century. Fragments from a Post-Post-Modern Diary“. 51-54, in: Heinrich Klotz, Hrsg. New-York-Architektur: 1970 - 1990; [anläßlich der Ausstellung "New York-Architektur 1970 - 1990" im Deutschen Architekturmuseum, Frankfurt am Main, vom 3.6. - 13.8.1989] München: Prestel, 1989.
„The Death of Semiotics (in Late Modern Architecture). The Corruption of Metaphor (In Post-Modernism), The Birth of the Punctum (in Neomania)“, Artforum, (May 1984): 56-63.
„Post-Performancism“, Artforum, (October 1981): 31-39.
„Gregory Battcock“, Artforum, (April 1981).
The New Television: A Public/Private Art: essays, statements, and videotapes. Cambridge, Mass.: MIT Press, 1978.
Artculture: essays on the Post-Modern. New York: Harper & Row, 1977.
„The Size of Non-Size“, Artforum, (December 1976): 46-51.
Vom Experiment zur Idee. Die Kunst des 20. Jahrhunderts im Zeichen von Wissenschaft und Technologie; Analysen, Dokumente, Zukunftsperspektiven. Köln: DuMont Schauberg, 1975.
Art and the Future: A History/Prophecy of the Collaboration Between Science, Technology, and Art. New York: Praeger Publishers, 1975.
Fragments for a new art of the seventies. New York: Pape-Ruddy Art Associates (Los Angeles) in personal cooperation with Robert Stefanotty, 1975.
„What is Content? Notes Toward an Answer“, Artforum, (October 1973): 59-61.
„Video Obscura“, Artforum, (April 1972): 65-71.
„Art & Technology: Toward Play“, Art in America, (January 1968).