Empfohlene Bücher und Artikel

Cultural Theory in General

Appadurai, Arjun. The Social Life of Things. Commodities in Cultural Perspective. (Cambridge: Cambridge University Press, 1999).

Appadurai, Arjun. Modernity at Large. Cultural Dimensions of Globalization. Public Worlds, Volume 1 (Minneapolis / London: University of Minnesota Press, 1997).

Appiah, Kwame Anthony. Cosmopolitanism. Ethics in a World of Strangers. (New York/London: W. W. Norton, 2006).

Ashcroft, Bill; Griffiths, Gareth, and Tiffin, Helen (eds.), The Post-Colonial Studies Reader (London / New York: Routledge, 2004, 7th edition).

Attali, Jacques. Histoires du temps (Paris: Librairie Arthème Fayard, 1982).

Augé, Marc. Non-lieux. Introduction à une anthropologie de la surmodernité (Paris: Éditions du Seuil, 1992).

Augé, Marc. An Anthropology for Contemporaneous Worlds. (Stanford: Stanford University Press, 1994).

Augé, Marc. The War of Dreams. Studies in Ethno Fiction (London / Sterlin: Pluto Press, 1999).

Bauman, Zygmunt. Liquid Modernity (Cambridge: Polity Press, 2000).

Beck, Ulrich. Was ist Globalisierung Edition Zweite Moderne (Frankfurt a.M.: Suhrkamp, 1997).

Bermejo, Diego. Posmodernidad: pluralidad y transversalidad (Barcelona: Anthropos, 2002).

Beynon, John, and Dunkerley, David (eds.). Gloablization. The Reader (New York: Routledge, 2000).

Bhabha, Homi K. Die Verortung der Kultur (Tübingen: Stauffenburg Verlag, 2000).

Biemann, Ursula and Jan-Erik Lundström (eds.) Mission Reports. Artistic Practice in the Field: Ursula Biemann. Video Works 1998-2008. exhib.cat. (Bristol: Arnolfini Gallery Ltd, 2008).

Bourdieu, Pierre. The Rules of Art: Genesis and Structure of the Literary Field. (Cambridge: Polity Press, 1996).

Bourdieu, Pierre. The Field of Cultural Production: Essays on Art and Literature. (Cambrige: Polity Press, 1993).

van den Braenbussche, Anton, Heinz Kimmerle and Nicole Note (eds.). Intercultural Aesthetics. A Worldview Perspective. (Amsterdam: Springer Netherlands, 2009).

Canclini, Néstor García. Consumers and Citizens: Globalisation and multicultural conflicts. Cultural Studies of the Americans: Volume 6 (Minneapolis/London: University of Minnesota Press, 2001).

Castells, Manuel. The Information Age: Economy, Society and Culture. (Oxford: Blackwell Publishing, 1999).

Castro Varela, Mar María do; and Dhawan, Nikita (eds.). Postkoloniale Theorie. Eine kritische Einführung (Bielefeld: transcript, 2005).

Chatterjee, Partha. A Possible India (New Dehli: Oxford University Press 1997).

Cherry, Deborah. Art: History: Visual: Culture. (Oxford: Blackwell Publishing, 2005).

Conrad, Sebastian, and Randeria, Shalini (eds.). Jenseits des Eurozentrismus. Postkoloniale Perspektiven in den Geschichts- und Kulturwissenschaften (Frankfurt / New York: Campus Verlag, 2002).

Featherstone, Mike. Global Culture – Nationalism, Globalization and Modernity. (London/Thousand Oaks/New Delhi: Sage Publications, 1991).

Foster, John Burt and Wayne J. Froman (eds.). Thresholds of Western Culture: Identity, Postcoloniality, Transnationalism. (New York/London: Continuum, 2002).

Ha, Knien Nghi. Ethnizität und Migration reloaded: Kulturelle Identität, Differenz und Hybridität im postkolonialen Diskurs (Berlin: Wissenschaftlicher Verlag Berlin, 2004).

Harvey, David. The Condition of Postmodernity. An Enquiry into the Origins of Culture Change. (Oxford: Blackwell Publishing, 1990).

Held, David and Anthony McGrew (eds.). The Global Transformations Reader. (Cambridge: Polity Press, 2003).

Hobsbawm, Eric J. and Terence Ranger (eds.). The Invention of Tradition. (Cambridge: Cambridge University Press, 1983).

Hörning, Karl H., and Winter, Rainer (eds.). Widerspenstige Kulturen. Cultural Studies als Herausforderung (Frankfurt a.M.: Suhrkamp, 1999).

Jameson, Fredric, and Miyoshi, Masao (eds.). The Cultures of Globalization (Durham/London: Duke University Press, 1998).

Kasfir, Sidney Littlefield. African Art and the Colonial Encounter: Inventing a Global Commodity. (Bloomington: Indiana University Press, 2007).

Maschiano, Grazia and Raffaele Milani (eds.). Frontiers of Transculturality in Contemporary Aesthetics. (Turin: Trauben, 2001).

Nelson, Cary and Lawrence Grossberg (eds.). Marxism and the Interpretation of Culture. (Urbana: University of Illinois Press, 1988).

Pratt, Mary Louise. Imperial Eyes: Travel Writing and Transculturation. (London/New York: Routledge, 1992).

Ribeiro, António Pinto (ed.). The State of the World (Manchester: Carcanet, 2006).

Said, Edward W. Culture and Imperialism (New York: Random House, 1993).

Said, Edward W. Orientalism (New York: Random House, 1994) (first edition 1978).

Sassen, Saskia. Globalization and its Discontents (New York: The New Press, 1998).

Shaw, Wendy M. K. Possessors and Possessed: Museums, Archaeology, and the Visualization of History in the Late Ottoman Empire (Berkeley / Los Angeles: University of California Press, 2003).

Smith, Terry, Okwui Enwezor and Nancy Condee (eds.) Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity. (Durham/London: Duke University Press, 2008).

Museum Studies / Institutional Critique

Altshuler, Bruce (ed.). Collecting the New (Princeton / Oxford: Princeton University Press, 2005).

Anderson, Gail (ed.). Reinventing the Museum: Historical and Contemporary Perspectives on the Paradigm Shift (Walnut Creek / Lanham / Toronto / Oxford: Alta Mira Press, 2004).

Art Critics in the Age of Global Mobility (Barcelona: ACCA-AICA, 2007.

Bayer, Waltraud. Gerettete Kultur. Private Kunstsammler in der Sowjetunion 1917-1991 (Vienna: Turia und Kant Verlag, 2006).

Berger, Peter L. and Samuel P. Huntington (eds.). Many Globalizations: Cultural Diversity in the Contemporary World. (Oxford: Oxford University Press, 2002).

Bennett, Tony. Past Beyond Memory: Evolutions, Museums, Colonialism (London / New York: Routledge, 2004).

Bennett, Tony. The Birth of the Museum: History, Theory, Politics (London / New York: Routledge, 1995).

Boswell, David, and Evans, Jessica. Representing the Nation. A Reader: Histories, Heritage and Museums. (London / New York: Routledge, 1999).

Crimp, Douglas. On the Museum’s Ruins. (Cambridge / London: The MIT Press, 1993).

DeRoo, Rebecca J. The Museum Establishment and Contemporary Art: The Politics and Artistic Display in France after 1968 (New York: Cambridge University Press, 2006).

Everything is Museum. exhib. cat. (Beijing: National Art Museum China, 2008).

Fisher, Philip. Making and Effacing Art: MOdern American Art in a Culture of Museums. (New York: Oxford University Press, 1991).

Guidieri, Remo. Chronique du neutre et de l’auréole. Sur le musée et ses fétiches (Paris: La Différence, 1992).

Gurian, Elaine Heumann. Civilizing the Museum. The Collected Writings of Elaine Heumann Gurian (London / New York: Routledge, 2006).

Heesen, Anke te, and Lutz, Petra (eds.). Dingwelten: Das Museum als Erkenntnisort Schriften des Deutschen Hygiene-Museums Dresden. Gisela Staupe (ed.): Volume 4 (Cologne: Böhlau, 2005).

Hünnekens, Annette. Expanded Museums: Kulturelle Erinnerung und virtuelle Realitäten Schriften zum Kultur- und Museumsmanagement (Bielefeld: transcript, 2002).

John, Hartmut. Das Museum als Marke: Branding als strategisches Managementinstrument für Museen Schriften zum Kultur- und Museumsmanagement (Bielefeld: transcript, 2007).

Karp, Ivan; Kratz, Corinne A.; Szwaja, Lynn, and Ybarra-Frausto, Thomás (with Buntinx, Gustavo; Kirshenblatt-Gimblett, Barbara, and Rassool, Ciraj) (eds.). Museum Frictions: Public Cultures / Global Transformations (Durham / London: Duke University Press, 2006).

Karp, Ivan, Christine Mullen Kreamer and Steven D. Lavine (eds.). Museums and Communities: The Politics of Public Culture (Washington/London: Smithsonian Institution Press, 1992.)

Karp, Ivan and Lavine and Steven D. (eds.), Exhibiting Cultures: The Poetics and Politics of Museum Display (Washington: Smithsonian Institution, 1991).

Kirshenblatt-Gimblett, Barbara. Destination Culture: Tourism, Museums, and Heritage (Berkeley / Los Angeles / London: University of California Press, 1998).

Kreps, Christina F. Liberating Culture: Cross-Cultural Perspectives on Museums, Curation and Heritage Preservation (London / New York: Routledge, 2003).

Luisetti, Frederico (ed.). Dopo il museo (Torino: Trauben, 2006).

Malraux, André. Museum Without Walls. (London: Secker & Warburg, 1967).

MacDonald, Sharon (ed.). A Companion to Museum Studies (Oxford / Edinburgh: Blackwell, 2006).

McClellan, Andrew (ed.). Art and its Publics: Museum Studies at the Millennium New Interventions in Art History (Malden / Oxford / Carlton: Blackwell Publishing Ltd., 2003).

Message, Kylie. New Museums and the Making of Culture. (Oxford: Berg Publishers, 2007).

Möntmann, Nina (ed.). Art and its Institutions: Current Conflicts, Critique and Collaborations (London: Blackdog Publishing, 2006).

Fyfe, Gordon et al (eds.). Museum and Society. Online Magazine since 2003, (Leicester: University of Leicester), http://www.le.ac.uk/ms/museumsociety.html.

Noever, Peter / MAK (eds.). Das diskursive Museum (Ostfildern: Hatje Cantz Verlag, 2001).

Pommerehne, Werner W., and Frey, Bruno S. (eds.). Museen und Märkte: Ansätze einer Ökonomie der Kunst. (Munich: Vahlen, 1993).

Serota, Nicholas. Experience or Interpretation: The Dilemma of Museums of Modern Art (London: Thames & Hudson, 1996).

Simpson, Moira G. Making Representations. Museums in the Post-Colonial Era (London/New York: Routledge, 1996).

Spalding, Julian. The Poetic Museum: Reviving Historic Collections. (London / New York / Munich: Prestel Verlag, 2002).

Stocking, George W. Jr. (ed.). Objects and Others. Essays on Museums and Material Culture History of Anthropology: Volume 3 (Madison: University of Wisconsin Press, 1985).

Steiner, Barbara, and Esche, Charles (eds.). Mögliche Museen (Cologne: Walther König, 2007).

Vergo, Peter (ed.). The New Museology (London: Reaktion Books, 1989).

Vieregg, Hildegard. Museumswissenschaften: Eine Einführung (Paderborn: Fink, 2006).

Wall, Tobias. Das unmögliche Museum: Zum Verhältnis von Kunst und Kunstmuseen der Gegenwart (Bielefeld: transcript, 2006).

Weil, Stephen E. Rethinking the Museum. And other Meditations (Washington / London: Smithsonian Institution Press, 1990).

Welchman, John C. (ed.). Institutional Critique and After (Zurich: J.R.P. / Ringier, 2006).

Witcomp, Andrea. Re-Imagining the Museum: Beyond the Mausoleum (London / New York: Routledge, 2003).

Wu, Chin-tao. Privatising Culture. Corporate Art Intervention since the 1980s (London / New York: Verso, 2002).

Ethnology and Popular Culture Today

Altbach, Philip G. and Salah M. Hassan (eds.). The Muse of Modernity: Essays on Culture as Development in Africa. (Asmara/Trenton: Africa World Press, 1996).

Amselle, Jean-Loup. L’art de la friche. Essai sur l’art africain contemporain (Paris:Flammarion, 2005)

Asante, Molefi Kete and Ama Mazama (eds.). Egypt vs Greece and the American Academy: Debate Over the Birth of Civilization. (Chicago: African American Images, 2002)

Asante, Molefi Kete. The Afrocentric Idea. (Philadelphia: Temple University Press, 1998).

Barkan, Elazar and Ronald Bush (eds.). Prehistories of the Future: The Primitivist Project and the Culture of Modernism (Stanford: University of Stanford Press, 1995).

Beier, Uli. Contemporary Art in Africa (London: Pall Mall Press, 1968).

Bousteau (ed.). In the Arab World… Now. Made by…. 3 vols. (Paris: Galerie E. Navarra, 2008).

Bowles (ed.). China Onward. The Estella Collection. Chinese Contemporary Art, 1966-2006. exhib. cat. (Humlebæk: Louisiana Museum of Modern Art, 2007).

Corbey, Raymond. Tribal Art Traffic: A Chronicle of Taste, Trade and Desire in Colonial and Post-Colonial Times (Amsterdam: Royal Tropical Institute, 2000).

Clifford, James. The Predicament of Culture: Twentieth-Century Ethnography, Literature and Art. (Cambridge: Harvard University Press).

Errington, Shelly. The Death of Authentic Primitive Art and other Tales of Progress (Berkeley: University of California Press, 1998).

Escobar, Ticio. El Mito del Arte y el Mito del Pueblo. Cuestiones sobre Arte Popular (Asunción: Peroni Ediciones, 1986).

Fabian, Johannes. Time and the Other: How Anthropology Makes its Object (New York: Columbia University Press, 1983).

Fillitz, Thomas. Zeitgenössische Kunst aus Afrika. 14 Gegenwartskünstler aus Cote d’Ivoire und Bénin (Vienna/Cologne/Weimar: Böhlau Verlag, 2002).

Hendry, Joy. Reclaiming Culture: Indigenous People and Self-Representation (New York: Palgrave Macmillan, 2005).

Hiller, Susan. The Myth of Primitivism: Perspectives on Art. (London/New York: Routledge. 1991).

de Kock, Leon, Louise Bethlehem and Sonha Laden (eds.). South Africa in the Global Imaginary. (Pretoria/Leiden: University of South Africa Press/Koninklijke Brill NV, 2004).

Jewsiewicki, Bogumil. Mami Wata: La Peinture Urbaine au Congo (Paris: Gallimard, 2003).

Loomba, Ania Suvir Kaul, Matti Bunzl, Antounette Burton and Jed Esty (Eds.). Postcolonial Studies and Beyond. (Durham/London: Duke University Press, 2007).

Macamo, Elísio Salvado (ed.). Negotiating Modernity: Africa’s Ambivalent Experience. (London/Pretoria/Dakar: Zed Books/University of South Africa Press/Codesria, 2005).

Magnin, André. African Art Now. exhib. cat., Museum of Fine Arts, Houston. (London: Merrell Publishers, 2005).

Magnin, André, and Jacques Soulillou (eds.) Contemporary Art of Africa. (New York: Abrams, 1996).

Pollock, Griselda, and Zemans, Joyce (eds.). Museums after Modernism: Strategies of Engagement (Oxford / Edinburgh: Blackwell, 2007).

Price, Sally. Primitive Art in Civilized Places (Chicago: University of Chicago Press, 1989).

Schneider, Arnd, and Wright, Christopher (eds.). Contemporary Art and Anthropology (Oxford: Berg, 2006).

Stöter-Bender, Jutta. Zeitgenössische Kunst der ‘Dritten Welt’. (Cologne: DuMont, 1991).

Thomas, Nicholas and Diane Losche (eds.). Double Vision. Art Histories and Colonial Histories in the Pacific. (Cambridge: Cambridge University Press, 1996).

Thomas, NIcholas. Entangled Object. Exchange, Material Culture and Colonialism in the Pacific. (Cambridge: Harvard University Press, 1991).

Yoshida, Kenji, and Mack, John (eds.). Images of Other Cultures. Reviewing Ethnographic Collections of the British Museum and the National Museum of Ethnology, Osaka (Osaka: NHK Service, 1997).
 

Art and Globalization

Amin, Samir. Eurocentricism (London: Zed Books, 1988)

Alloway, Lawrence. Imagining the Present. Context, Content, and the Role of the Critic. Kalina, Richard (ed.). Critical Voices in Art, Theory and Culture (London/New York: Routledge, 2006).

Araeen, Rasheed. Cubitt, Sean, and Sardar, Ziauddin (eds.). The Third Text Reader on Art, Culture and Theory (London / New York: Continuum, 2002).

Araeen, Rasheed. The Other Story. Afro-Asian Artists in Postwar-Britain. exhib. cat. (Hayward Gallery, London, Southbank Centre, 1989).

Art Asia Pacific Almanac 2005/2006 (New York: Art Asia Pacific Publishing LLC, 2006).

Art Asia Pacific Almanac 2007 (New York: Art Asia Pacific Publishing LLC, 2006).

Art Asia Pacific Almanach 2008 (New York: Art Asia Pacific Publishing LLC, 2007).

Ascott, Roy. Telematic Embrace. Visionary Theories of Art, Technology, and Consciousness. Shanken, Edward A. (ed.) (Berkeley/Los Angeles/London: University of California Press, 2003).

Bal, Mieke and Miguel A. Hernández-Navarro (eds.). 2Move: Video Art Migration (Murcia: Cendeac, 2008).

Bal, Mieke. _Quoting Caravaggio: Contemporary Art, Preposterous History: (Chicago: University of Chicago Press, 1999).

Barker, Emma (ed.). Contemporary Cultures of Display. Series Art and its Histories vol. 6 (New Haven/London: Yale University Press in association with The Open University, 1999) ISBN 0-300-07783-1

Belting, Hans and Haustein, Lydia (eds.). Das Erbe der Bilder: Kunst und moderne Medien in den Kulturen der Welt (Munich: C.H. Beck, 1998).

Belting, Hans and Andrea Buddensieg. The Global Art World. Audiences, Markets and Museums (Hatje Cantz Verlag, Ostfildern, May 2009)

Bestor, Theodore C. How Sushi Went Global, in: Foreign Policy, No. 121, Nov.-Dec., 2000, pp. 54-63.

Bianchi, Paolo (ed.). Weltkunst – Globalkultur. Themenheft Kunstforum International 118 (Cologne: Kunstforum International, 1992).

Bidoun: a Quarterly Forum for Middle Eastern Talent (New York: Bidoun, Inc., 2004- ).

Buruma, Ian amd Avishai Margalit. Occidentalism: A Short History of Anti-Westernism. (London, Atlantic, 2004).

Bydler, Charlotte. The Global Artworld Inc.: On the Globalization of Contemporary Art. (Uppsala: Uppsala University Press, 2004).

Caillet, Elisabeth et al. (eds.). L’Art Contemporain et son Exposition (1) (Paris: L’Harmattan, 2002).

Camnitzer, Luis, and Farver, Jane (eds.). Global Conceptualism: Points of Origin 1950s–1980s. Ex. Cat. (New York: The Queens Museum of Art, 1999).

Clark, John, Maurizio Peleggi, and T. K. Sabapathy (eds.). Eye of the Beholder: Reception, Audience, and Practice of Modern Asian Art, University of Sydney East Asian series, 15 (Sydney: Wild Peony, 2006).

Cubism in Asia: Unbounded Dialogues, Ex. Cat. (Tokyo: The National Museum of Modern Art, 2000).

Danto, Arthur C. After the End of Art: Contemporary Art in the Pale of History (Princeton: Princeton University Press, 1997).

Dubin, Steven C. Transforming Museums: Mounting Queen Victoria in a Democratic South Africa (New York: Palgrave MacMillan, 2006).

Elkins, James (ed.). Is Art History Global? (London/New York, 2007).

Enwezor, Okwui. The Short Century: Independence and Liberation Movements in Africa, 1945–1994 (Munich / London / New York: Prestel Verlag, 2001).

Fibicher, Bernhard (ed.). South meets West _Ex. Cat. National Museum of Ghana, Accra I Kunsthalle and Historisches Museum Bern (Bern: Kunsthalle Bern, 2000).

Giddens, Anthony. The Consequences of Modernity. (Cambridge: POlity Press, 2006).

Glusberg, Jorge. Rhetoric of Art (Milan: Giancarlo Politi Editore, 1986).

Good, Carl, and Waldron, John V. (eds.). The Effects of the Nation. Mexican Art in an Age of Globalization (Philadelphia: Temple University Press, 2001).

Hall, Stuart, and Maharaj, Sarat. Modernity and Difference. InIVA Annotations 6 (London: Institute for International Visual Arts (inIVA), 2001).

Hassan, Salah M. and Olu Oguibe. Authentic/Ex-Centric: African Conceptualism in Global Context. exhib. cat., 49th Biennale di Venezia. (Eindhoven: Forum for African Arts, 2001).

Howe, Stephen. Afrocentricism: Mythical Pasts and Imagined Homes. (London: Verso, 1998).

Haupt, Gerhard and Scherer, Bernd (eds.). Neue Bildende Kunst. Zeitschrift für Kunst und Kritik. Das Marco Polo Syndrom, 4/5, 1995 (Berlin, 1995).

Hoffmann, Detlef (ed.). Kunst der Welt oder Weltkunst. Die Kunst in der Globalisierungsdebatte Documentation of a Conference at Evangelische Akademie Loccum Mai 24th – 26th, 2002 (Rehburg-Loccum: Evangelische Akademie, 2003).

Jones, Amelia (ed.). A Companion to Contemporary Art since 1945. Blackwell Companions to Art History (Malden/Oxford/Victoria: Blackwell Publishing Ltd., 2006).

Keyder, Çağlar. Istanbul: Between the Global and the Local. (Lanham/Oxford: Rowman and Littlefield Publishers, 1999).

King, Anthony D. (ed.). Culture, Globalization and the World-System. Current Debates in Art History 3 (Binghamton: Department of Art and Art History, State University of New York at Binghamton, 1991).

Kuoni, Carin (ed.). Words of Wisdom: A Curator’s Vade Mecum on Contemporary Art (New York: Independent Curators International, 2001) ISBN: 0916365603.

Lee, Pamela M. Boundary Issues. The Art world under the Sign of Globalism, in: Artforum International, vol. 42, November 2003, p. 164-167.

Lippard, Lucy R. Mixed Blessings. New Art in a Multicultural America (New York: Pantheon Books, 1990).

Mansfield, Elizabeth C. (ed.). Making Art History. A Changing Discipline and its Institutions (New York/London: Routledge, 2007).

Martin, Jean-Hubert (ed.). Les Magiciens de la Terre (Paris: Éditions du Centre Pompidou, 1989).

Martin, Jean-Hubert (ed.). Arte religione politica. Incontri ravvicinati dai cinque continenti/Art Religion Politics. Exh. Cat. (Milano:PAC Padiglione d’Arte Contemporanea di Milano, 2005)

McEvilley, Thomas. Art and Discontent. Theory at the Millennium(New York: McPherson and Company, 1991).

McEvilley, Thomas. _Art and Otherness. Crisis in Cultural Identity _(New York: McPherson and Company, 1992).

Mercer, Kobena (ed.). Pop Art and Vernacular Cultures (London / Cambridge: The MIT Press, 2007).

Michaud, Yves (ed.). Qu’est-ce que l’art au 20ème siècle? Espace de l’art (Paris: Fondation Cartier pour l’Art Contemporain, 1992).

Millet, Catherine. L’Art Contemporain. Histoire et Géographie (Paris: Flammarion, 2006).

Masaaki, Morishita. Struggles between curators and artists: the case of the Tochigi Prefectural Museum of Fine Arts in Japan in the early 1980s, in: museum and society, vol. 5, Issue 2, July 2007, http://www.le.ac.uk/ms/museumsociety.html, p. 86-102.

Museum für Gegenwartskunst Basel (ed.). Total Global. Umgang mit nicht-westlicher Kunst. Erste Runde: Gibt es eine globale Kunst? (Basel: C. Merian, 2000).

Ngan, Irene, and Lai, Eliza (eds.). Mapping Identities. The Art and Curating of OSCAR HO, Exh. Cat. Para/Site 5.1.-5.12.2004 (Hong Kong: Para/Site Art Space Ltd., 2004) ISBN 988-97090-0-7

Njami, Simon (ed.). Africa Remix. Contemporary Art of a Continent (Ostfildern: Hatje Cantz Verlag, 2005).

Oguibe, Olu. The Culture Game (Minneapolis: University of Minnesota Press, 2004).

Oguibe, Olu and Enwezor, Okwui (eds.). Reading the Contemporary. African Art from Theory to Practice (London: Institute of International Visual Arts (inIVA), 1999).

Olin, Margaret Rose. The Nation without Art: Examining Modern Discourses on Jewish Art (Nebraska: The University of Nebraska, 2001).

Öncü, Ayşe and Petra Weyland (eds.). Space Culture and Power: New Identities in Globalizing Cities. (London: Zed Books, 1997).

Onians, John. Compression versus Expression. Containing and Explaining the World’s Art. Clark Studies in the Visual Arts (New Haven/London: Yale University Press, 2006).

Papanikolaou, Miltiades and Xanthippi Scarpia Heupel (eds.). Cosmopolis I: Microcosmos x Macrocosmos. exhib. cat., State Museum of Contemporary Art Thessaloniki (Thessaloniki: Museum of Contemporary Art Thessaloniki, 2004).

Perdriolle, Hervé and Martin, Jean-Hubert (eds.). Dialog: Richard Long, Jivya Soma Mashe (Cologne: Verlag der Buchhandlung Walther König, 2003).

Pett, Inge. Annäherungen an den “Rest der Welt”: Probleme und Strategien im Umgang mit “fremder” zeitgenössischer Kunst (Münster: Lit Verlag, 2002) ISBN-10: 3825860698.

Pradel, Jean Louis. World Art Trends. (New York: H.N. Abrams, 1982).

PressPlay. Contemporary Artists in Conversation (London/New York: Phaidon Press, 2005).

Rüsen, Jörn; Fehr, Michael, and Rieger, Thomas W. (eds.). Thinking Utopia: Steps into Other Worlds (New York / Oxford: Berghahn Books, 2005).

Sassen, Saskia. A Sociology of Globalization. (New York: Norton & Company, 2007).

Scheps, Marc; Dziewior, Yilmaz, and Thiemann, Barbara M. (eds.). Kunstwelten im Dialog: Von Gaugin zur Globalen Gegenwart. Global Art – Rheinland 2000. Ex. Cat.: Museum Ludwig (Cologne: DuMont, 1999).

Schneider, Arnd, and Wright, Christopher. Contemporary Art and Anthropology (Oxford / New York: Berg, 2006).

Schirato, Tony and Jenn Webb. Understanding Globalization. (London: Sage Publications, 2003).

Shatanawi, Mirjam (ed.), Tehran Studio Works: The Art of Khosrow Hassanzadeh (Saqi Books, London, 2007)

Stallabrass, Julian: Art Incorporated. The Story of Contemporary Art. (Oxford: Oxford University Press, 2004).

Sullivan, Michael. Art and Artists of Twentieth-Century China(Berkeley/Los Angeles/London: University of California Press, 1996).

Summers, Davis. Real Spaces. World Art History and The Rise of Western Modernism. (London: Phaidon, 2003).

Tawadros, Gilane (ed.). Changing States. Contemporary Art and Ideas in an Era of Globalisation (London: Institute of International Visual Arts (inIVA), 2004).

Tawadros, Gilane and Sarah Campbell (eds.). Fault Lines. Contemporary Art and Shifting Landscapes. (London: Institut of International Visual Arts, 2003).

Third Text. Journal since 1987, Araeen, Rasheed, and Ziauddin Sardar (eds.) (New York / London: Routledge).

Urry, John. Global Complexity. (Cambridge: Polity Press, 2003).

Vielfaches Echo. Zeitgenössische Kunst zwischen den Kulturen, Arbeitsgemeinschaft Vielfaches Echo (eds.), (Nürnberg: Verlag für Moderne Kunst, 1998).

Volkenandt, Claus (ed.). Kunstgeschichte und Weltgegenwartskunst. Konzepte – Methoden Perspektiven (Berlin: Reimer Verlag, 2004)

Weibel, Peter and Andrea Buddensieg (eds.). Contemporary Art and the Museum. A Global Perspective (Hatje Cantz Verlag, Ostfildern, 2007).

Weibel, Peter (ed.). Inklusion: Exklusion. Versuch einer neuen Kartografie der Kunst im Zeitalter von Postkolonialismus und globaler Migration Ex. Cat.: Steirischer Herbst Graz (Cologne: DuMont, 1997).

Wu, Chin-tao. Privatising Culture. Corporate Art Intervention since the 1980s (London / New York: Verso, 2002).

Wu, Chin-Tao. Worlds Apart. Problems of Interpreting Globalised Art, in: Third Text, Vol. 21, Issue 6, November 2007 (London/New York: Routledge, 2007), p. 719-731.

Yasuko, Furuichi (and A.E.: Aki, Hoashi) (eds.). Cubism in Asia. Unbounded Dialogues. International Symposium 2005 (Tokyo: The Japan Foundation, 2006).

Zijlmans, Kitty and Wilfred van Damme (eds.). World Art Studies: Exploring Concepts and Approaches (Valiz, Amsterdam, 2007)
 

Art and the Market

Boll, Dirk, Kunst ist Käuflich. Freie Sicht auf den Kunstmarkt (Zürich: rüffer & rub, 2009)

Centro di Cultura Contemporanea a Palazzo Strozzi (Exhib. Cat.). Arte, Prezzo e Valore – Arte Contemporanea e Mercato (Milano: Silvana Editoriale, 2008)

Draganovic, Julia (ed.). L’Impresa dell’arte. The Enterprise of Art, (Exhib. Cat.) (Napoli: Electa, 2008).

Dossi, Piroschka, Hype! Kunst und Geld (München: Deutscher Taschenbuch Verlag, 2007).

Goldstein, Malcom. Landscape with Figures: A History of Art Dealing in the United States (Oxford: Oxford University Press, 2000).

Guillet de Monthoux, Pierre. The Art Firm. Aesthetic Management and Metaphysical Marketing (Stanford, California: Stanford University Press, 2004).

Haden-Guest, Anthony. True Colors. The Real Life of the Art World(New York: Atlantic Monthly Press, 1996).

Kusin & Company. The Modern and Contemporary Art Market (Helvoirt: The European Fine Art Foundation, 2005).

McAndrew, Clare. The Global Art Market in 2010. Crisis and Recovery (Helvoirt: The European Fine Art Foundation, 2011).

McAndrew, Clare. The International Art Market 2007-2009. Trends in the Art Trade during Global Recession (Helvoirt: The European Fine Art Foundation, 2010).

McAndrew, Clare (ed.). Fine Art and High Finance. Expert Advice on the Economics of Ownership (New York: Bloomberg Press, 2010).

McAndrew Clare, Globalisation and the Art Market. Emerging Economies and the Art Trade in 2008 (Helvoirt: The European Fine Art Foundation, 2009).

Mossetto, Gianfranco and Vecco, Marilena (eds.). Economics of Art Auctions (Milan: Angelli, 2003).

Neumüller, Moritz. Kunst und Kapital. Über Wert und Bewertung zeitgenössischer Kunstwerke und die Mechanismen des modernen Kunstmarktes. Diplomarbeit at the University Vienna, Austria, September 1997 (Hamburg: Diplomarbeiten Agentur, 1997).

Thompson, Donald. The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art and Auction Houses. (London: Aurum, 2008).

Ullrich, Wolfgang. Habenwollen. Wie Funktioniert die Konsumkultur (Frankfurt am Main: S. Fisher, 2006).

Van den Bosch, Annette. The Australian Art World. Aesthetics in a Global Market (Crows Nest: Allen&Unwin, 2005).

Velthuis, Olav. Talking Prices. Symbolic Meanings of Prices on the Market for Contemporary Art (Princeton/Oxford: Princeton University Press, 2005).

Watson, Peter. From Manet to manhattan. The Rise of the Modern Art Market. (London: Hutchinson, 1992).

White, Harrison C. Markets from Networks. Socioeconomic Models of Production (Princeton: Princton University Press, 2002).

Whitney Museum of American Art. The Price of Everything… Perspective on the Art Market (New Haven: Yale University Press, 2007).
 

Buildings for a New Museum

Davis, Douglas. The Museum Transformed. Desing and Culture in the Post-Pompidou Age (New York: Abbeville Press, 1990) ISBN 1-55859-064-1

Donzel, Catherine. Nouveaux Musées (Paris: Telleri, 1998) ISBN 2-7450-0035-7

Greub, Suzanne, and Greub, Thierry (eds.). Museen im 21. Jahrhundert: Ideen, Projekte, Bauten (Munich: Prestel Verlag, 2006).

Lampugnani, Vittorio Magnago and Sachs, Angeli (eds.). Museums for a New Millennium. Concepts Projects Buildings (Munich/London/New York: Prestel, 2001²).

Newhouse, Victoria. Towards a New Museum (New York: The Monacelli Press, 1998) ISBN 1-885252-60-1

Trulove, James Grayson. Designing the New Museum. Building a Destination (Gloucester: Rockport Publishers, 2000) ISBN 1-56496-689-5