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Literatur zur Einführung – Literatur zum Kontext der Ausstellung – Ausstellungskataloge zum Thema – Akademische Arbeiten zum Thema – Künstler der Ausstellung

Literatur zur Einführung

Useless Utilities / Saul Albert. -  2001, in: http://art.runme.org/1043667677-8313-0/useless.htm (10.9.2018)

Interface Criticism  : aesthetics beyond buttons / Christian Ulrik Andersen, SorenPold. - Aarhus University Press: Aarhus/Copenhagen 2011, INHALT: Interface Criticism is not another design manual but a critical investigation for readers interested in the aesthetic, cultural and political dimensions of interfaces. With contributions from leading researchers within the field, the book covers a wide range of aesthetic expressions - including urban screens, wearable interfaces, performances, games, net-art, software art, and sound art, and discusses how new cultures evolve around, for example, open souce or live coding. The volume critically investigates the aesthetics of interfaces in ways that transcend the  iconic surface of the graphical user interface and goes beyond the buttons. Ultimately the book develops interface aesthetics as an appropriate paradigm for a critical discussion of the computer. - S. 145-161.
Signatur: Hd 2379

At the edge of art / Joline Blais; Jon Ippolito. - London : Thames & Hudson, 2006. - 256 S. : zahlr. Ill., graph. Darst. - ISBN 0-500-23822-7. - Seite 36-37, 52-55.
Signatur: Fag 0023

(Net.art) : Materialien zur Netzkunst / Tilman Baumgärtel. [Hrsg.: Institut für Moderne Kunst, Nürnberg]. - Nürnberg : Verl. für Moderne Kunst, 1999. - 179 S. : Ill. - ISBN 3-933096-17-0  Signatur: Fke 6001 -1

(Net.art) : Materialien zur Netzkunst / Tilman Baumgärtel. [Hrsg.: Institut für Moderne Kunst, Nürnberg]. - Nürnberg : Verl. für Moderne Kunst, 1999. - 179 S. : Ill. - ISBN 3-933096-17-0
Signatur: Fke 6001 -2

Fine art of browsing, 29.7.1999 / Sean Dodson. - In: The Guardian, 29.7.1999, in: https://www.theguardian.com/technology/1999/jul/29/onlinesupplement10 (9.9.2018).

Art et Internet / Fred Forest. - Paris Editions Cercle D'Art / Imaginaire Mode d'Emploi 2008.

L Art Internet : 232 illustrations, dont 174 en couleurs / Rachel Greene. - Paris : Thames & Hudson, 2005. - 224 S. : Ill. - (L' univers de l'art ; 97). - ISBN 2-87811-243-1. - S. 84-88.
Signatur: Fke 6010

Digital art : neue Wege in der Kunst. - Potsdam : Ullmann, 2010. - 275 S. : zahlr. Ill. - S . 174-179.
Signatur: Fkc 0005 -1

Prácticas artísticas e Internet en la época de las redes sociales / Juan Martín Prada. - Editorial AKAL, Madrid, 2012. ISBN 978-84-460-3517-6
Digital art / Christiane Paul. - London [u.a.] : Thames & Hudson, 2003. - 224 S. : zahlr. Ill. - ISBN 0-500-20367-9
Signatur: Fka 6010

Not just art / Chrstiane Paul. - In: Interface cultures : artistic aspects of interaction / Christa Sommerer, Laurent Mignonneau, Dorothée King (eds.). - Bielefeld : Transcript, 2008. - 348 S. : Ill., graph. Darst. - Interface Cultures / Sommerer, Christa. - ISBN 978-3-89942-884-1. – Seite  141-151.
Signatur: Fke 5013

Internet art : the online clash of culture and commerce / Julian Stallabrass. - London : Tate Gallery, 2003. - 165 S., zahlr. Ill., graph. Darst. - Literaturverz. S. 157 - 161. - ISBN 1-85437-345-5. - Seite 21-23.
Signatur: Fke 6008

Random : Navigando contromano, alla scoperta dell'arte in rete. Dieci anni dopo, il meglio di un sito che ha fatto la storia dell'editoria d'arte in Italia / Valentina Tanni. – 2011, Seite 50-52 https://www.linkartcenter.eu/public/editions/Valentina_Tanni_Random_Lin…  

Netzkunst : ihre Systematisierung und Auslegung anhand von Einzelbeispielen / Matthias Weiß. - Weimar : VDG, 2009. - 396 S. - Zugl.: Freiburg i. Br., Univ., Diss., 2008. - ISBN 978-3-89739-642-5. - Seite 235-242. 
Signatur: Fke 6015

Information arts : intersections of art, science and technology / Stephen Wilson. - Cambridge, Mass. ; London : The MIT Press, 2002. - XXIV, 945 S. : Ill. - Includes bibliographical references and index. - ISBN 978-0-262-73158-4. - Seite 586-589, 593.
Signatur: Fka 6006

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Literatur zum Kontext der Ausstellung

The networked image in post-digital culture / edited by Andrew Dewdney and Katrina Sluis. - London : Taylor & Francis Group, 2023. – 269 Seiten. – ISBN 978-0-367-55058-5
Signatur: 

Haptik am User Interface : Interfacedesign in der zeitgenössischen Medienkunst zwischen Sinnlichkeit und Schmerz /  Sebastian Sprenger. - Bielefeld : transcript, [2020]. - 298 Seiten : Illustrationen. - (Edition Medienwissenschaft ; Band 73). - Literaturverzeichnis: Seite 271-279. - Haptik am User Interface / Sprenger, Sebastian [GNDNR:1216452040]. - ISBN 978-3-8376-5134-8
Signatur: Fkd 0077

Curating digital art : from presenting and collecting digital art to networked co-curation / Annet Dekker (ed.). - Amsterdam : Valiz, 2021. - 352 Seiten : Illustrationen. - INHALT: What is the role of the curator when organizing digital art exhibitions in offline and online spaces? Analyzing the influence and impact of curating digital art, the book focuses on how the experiments of curators, artists and designers opened the possibility to reconfigure traditional models and methods for presenting and accessing digital art. In the process, it addresses how web-based practices challenge certain established museological values and precipitate alternative ways of understanding art's stewardship, curatorial responsibility, public access and art history. Through more than twenty interviews with artists and curators in the course of the last ten years, and flanked by an extensive timeline, the reader of this publication is given an insight into the discourse on digital art and its curation today. - ISBN 978-94-93246-01-0
Signatur: Fag 0077

Tactics of interfacing : encoding affect in art and technology / Ksenia Fedorova. - Cambridge, Massachusetts ; London, England : The MIT Press, [2020]. - xiii, 316 Seiten : Illustrationen. - Includes bibliographical references and index. - INHALT: "Tactics of Interfacing explores how digital technologies affect the ways we conceive of the "self". The digital sheds a new light on what is so fundamental for sustaining our human sense of the self, the psychological effects of the mechanisms of projection and recognition. Biofeedback, machine vision and remote sensing technologies enhance and augment our ability to understand and reflect on ourselves, but they also simulate our image and sense of ourselves and our relations with others and with the environment. While allowing deeper and more intimate connection to  oneself, they also become means for manipulation and control - manipulation of our understanding and feeling of who we are. The author argues that digitally mediated versions of ourselves create feedback loops that place us in an intersubjective space, confusing the boundaries of the 'self', and therefore, challenging our capacity to feel human". - ISBN 978-0-262-04415-8
Signatur: Fkd 0090

Expanded internet art : twenty-first-century artistic practice and the informational milieu / Ceci Moss. - New York : Bloomsbury Academic, [2019]. - vii, 160 Seiten : Illustrationen   (International texts in critical media aesthetics ; vol. 13). - Includes bibliographical references and index. - INHALT: Introduction : active agents.  No center, no object, just networks : expanded internet art. - Milieux, then and now. - Resistance in the domain of all inputs, all outputs : Jean-François Lyotard and Thierry Chaput's Les immateriaux . - Parsing attention : image circulation and affect. - Conclusion : breaking presence. - ISBN 978-1-5013-4776-4

Interface / Branden Hookway. - Cambridge, Massachusetts [u.a.] : The MIT Press, 2014. - XI, 178 S. : Ill. - Includes bibliographical references and index. Erscheinungsjahr in Vorlageform : [2014]. - The subject of the interfaceThe interface as form of relation – Between faces and facing between. - The interface and the surface. - Toward a theory of the interface. - Janus and Jupiter. - Control and power. - The interface and the apparatus. - The interface and the game. - The interface and the machine. - Separation and augmentation. - Mimicry in the game and the interface. - The forming of the interface. - The interface as that which defines the fluid. - Turbulence and control. - The exacting of turbulence. - The demons on the threshold. - Theories of the vortex. - Information and entropy. - Governance and reciprocity. - The interface and teleology. - The turbine as superimposition of fluid and machine. - The vertiginous moment of interface. - The augmentation of the interface. - A genius of augmentation. - The tacit knowing of the interface. – Singularity. – Symbiosis. – System. - Positioning. - ISBN 978-0-262-52550-3
Signatur: Hd 4143

Screens : viewing media installation art / Kate Mondloch. - Minneapolis, Minn. [u.a.] : University of Minnesota Press,  2010. - XXI, 130 S. : Ill., graph. Darst. - (Electronic mediations ; 30). - Includes bibliographical references and index. - Screens / Mondloch, Katie. - Introduction: screen subjects; Interface matters: screen-reliant installation art; Body and screen: the architecture of screen spectatorship; Installing time: spatialized time and exploratory duration; Be here (and there) now: the spatial dynamics of spectatorship -- What lies ahead: virtuality, the body, and the computer screen --
Afterword: thinking through screens. - ISBN 978-0-8166-6521-1 
Signatur: Fgd 0011

Net pioneers 1.0 : contextualizing early net-based art ; / ed. by Dieter Daniels .... - Berlin [u.a.] : Sternberg Press, 2009. - 239 S. : Ill. - This book is thus a part of the art-historical research project titled "netpioneers 1.0". The essays published here are in part the result of a conference organized by the Ludwig Boltzmann Institute Media.Art.Research Linz on the occasion
of Ars Electronica 2007.... - ISBN 978-1-933128-71-9
Signatur: Fah 0017

The art and science of interface and interaction design
Vol. 1. . - Berlin [u.a.] : Springer, 2008. - XIV, 185 S. : zahlr. Ill. - (Studies in computational intelligence ; 141). - ISBN 3-540-79869-2

Telematik : NetzModerneNavigatoren / [Hrsg.: Jeannot Simmen ...]. - Köln : Buchhandlung Walter König, 2002. - 111 S : Ill. - Texte zum Telematik-Wettbewerb 2001 der Universität Essen und derHochschule der Künste Berlin. - ISBN 3-88375-547-8
Signatur: Hg 6101

Navigation / Inge Hinterwaldner, Daniela Hönigsberg, Konstantin Mitrokhov (eds.). – Hildesheim: Olms, 2022. – 125 Seiten, Illustrationen. – ISBN 978-3-487-16315-4
Signatur: Fke 6027

Nettitudes : let's talk net art / Josephine Bosma. - Rotterdam : NAi Publ. [u.a.], 2011. - 270 S. - ISBN 978-90-5662-800-0
Signatur: Fke 6017

Network art : practices and positions / ed. by Tom Corby. - [1. Aufl.]. - London [u.a.] : Routledge, 2006. - XIV, 206 S. - : Ill. - Includes index. - ISBN 0-415-36479-5

Behind the blip : essays on the culture of software / Matthew Fuller. - Brooklyn, NY : Autonomedia, 2003. - 165 S. - ISBN 1-57027-139-9

Hipercubo/ok : arte, ciencia y tecnología en contextos próximos / [coordinación editorial y producción] Andrés Burbano, Hernando Barragán. - Bogotá : Comité de Investigaciones de la Facultad de Artes y Humanidades, Facultad de Ingeniería, Universidad de los Andes, 2002. - 223 pages : illustrations + 1 CD-ROM (3 in.) - Includes bibliographical references. - Of CD-ROM: Bookviewer 1.0 -- Hiperlook demo 1.0 -- Reactivetext 1.0.. - System requirements for accompanying CD-ROM: Microsoft Windows 2000 or XP or Mac OS9 or OSX; Internet browser with Java Virtual Machine; monitor with video resolution of 1024 x 768 or better. - Hipercubo/ok/ 1.0. - ISBN 958-695-057-3

Reload : Browser 2.0 ; the Internet design project / [Research and Text: Patrick Burgoyne and Liz Faber]. - Hamburg : Gingko Press, 1999. - 143 S : überw. Ill. - ISBN 3-927258-56-3
Signatur: Dk 3002

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Ausstellungskataloge zum Thema

art happens here : net art anthology / editors: Michael Connor with Aria Dan and Dragan Espenschied. - New York, NY : Rhizome, 2019. - 444 Seiten : Illustrationen - "The Art Happens Here: Net Art's Arhival Poetics", New Museum of Contemporary Arrt, New York, January 22,2019-May 26, 2019. - ISBN 978-0-692-17308-4
Signatur: C New5 2113

Art in the age of the Internet : 1989 to today / edited by Eva Respini ; The Institute of Contemporary Art/Boston. - New Haven ; London : Yale University Press, [2018]. - 315 Seiten. -  Literaturverzeichnis: Seite 296-298. - "This book is published on the occasion of the exhibition Art in the Age of Internet, 1989 to Today. Organized by Eva Respini, Barbara Lee Chief Curator, with Jeffrey De Bois, Curatorial Associate. The Institute of Contemporary Art/Boston February 7-May 20, 2018." - INHALT: Featuring essays by leading curators, scholars, and critics, this book provides an in-depth look at how the internet has impacted visual art over the past three decades. From the fall of the Berlin Wall to Black Lives Matter, the internet's promise to foster communication across borders and democratize information has evolved alongside its rapidly developing technologies. While it has introduced radical changes to how art is made, disseminated, and perceived, the internet has also inspired artists to create inventive and powerful work that addresses new conceptions of community and identity, modes of surveillance, and tactics for resistance. Art in the Age of the Internet, 1989 to Today traces the relationship between internet culture and artistic practice through the work of contemporary artists such as Ed Atkins, Camille Henrot, and Anicka Yi, and looks back to pre-internet pioneers including Nam June Paik. Conversations between artists reveal how they have tackled similar issues using different technological tools. Touching on a variety of topics that range from emergent ideas of the body and human enhancement to the effects of digital modes of production on traditional media, and featuring more than 200 images of works including painting, performance, photography, sculpture, video, and web-based projects, this volume is packed with insightful revelations about how the internet has affected the trajectory of contemporary art.00Exhibition: Institute of Contemporary Art, Boston, USA (07.02.-20.05.2018). - ISBN 978-0-300-22825-0
Signatur: Fkb 2098

Sciences of the interface : proceedings of the International Symposium Sciences of the Interface, ZKM - Center for Art  and Media Karlsruhe, May 18 - 21, 1999. - Buch. . - Tübingen : Genista Verl., 2001. - VII, 330 S. : Ill., graph. Darst.
Signatur: Nb 2003

Net-condition : art and global media; [for the exhibitions art and global media and net-condition 1998/99 ...] / Steirischer Herbst, Graz, Austria. ZKM, Center for Art and Media, Karlsruhe, Germany; The MIT Press,  Cambridge, Mass., London, England. Ed. by Peter Weibel and Timothy Druckrey. [Transl. by: Richard Watts ...]. - Cambridge, Mass. [u.a.] :  MIT, c 2001. - 398 S. : überw. Ill. - ISBN 0-262-73138-X
Signatur: C Gra9 2023

net_condition : Kunst/Politik im Online-Universum; [Ausstellung Netc̱ondition. Art and Global Media] 23.09.1999 - 09.01.2000 / [ZKM, Zentrum für Kunst und Medientechnologie. Red. Annika Blunck. Texte Gabriele Blome ...]. – Karlsruhe : ZKM, 1999. - 44 S. : Ill.
Signatur: C Kar4 2090

Burning the interface : international artists' CD-ROM : Museum of Contemporary Art, Sydney, Australia ;[exhibition, 27 March - 14 July 1996] ; / [catalogue ed.: Linda Michael ...]. - Sydney : Museum of Contemporary Art, [1996]. - 112 S. :  Ill. -  ISBN 1-875632-43-3
Signatur: Fkb 2043

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Akademische Arbeiten zum Thema

Talking/Speaking/Stalking/Streaming : artist’s browsers and tactical engagements with the early web / Colin Post. -  MA Thesis, University of North Carolina at Chapel Hill 2020

Experimental curating in times of the perpetual beta: strategies and platforms for online-based art / Lia Carreira. -  MA Thesis, Danube University Krems2017. 
Volltext: https://bsz.ibs-bw.de/aDISWeb/app?service=direct/0/Home/$DirectLink&sp=SOPAC54&sp=SAKSWB-IdNr1656521571

Online Specificity : Live Event Artworks and the Inner Continuity of the Network / Mohammad Hossein Namazi. - PhD Thesis, University of the Arts London 2018

Digital Debris of Internet Art : an allegorical and entropic resistance to the epistemology of search / Nils Jean. -  PhD Thesis, Royal College of Art London 2015

Internet Art and Interaction : a study into the creation of a taxonomy of interaction in online art works / David Herbert. -  PhD Thesis, Loughborough University 2013

Internet-art and its Medium : Exploring Hypermedia Structure and Multimedia Environment of the World Wide Web through Net-art Projects / Valeriya Kalkina. -  MA Thesis, Lund University 2012

.art : situating internet art in the traditional institution for contemporary art / Karen A. Verschooren. - MA Thesis, MIT, Cambridge 2007
Netzkunst als Medienkritik : neue Strategien der Inszenierung von Informationsstrukturen / Nina Kahnwald. -  MA Thesis, FU Berlin 2002, kopaed: Munich 2006

Processor Art –Currents in the Process Oriented Works of Generative and Software Art / Thor Magnusson. -  MA Thesis, University Copenhagen 2002

Netzkunstreflektiert ihr Medium / Sabine Schally. - MA Thesis, University Vienna 2001
The Thematics of Site Specific Art on the Net / Josephine Berry. -  PhD Thesis, University of Manchester 2001

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Künstler der Ausstellung

Andy C. Deck – Constant Dullaart – Entropy8Zuper! – Exonemo – Andrew Freeman – Jasmine Guffond – alberto Harres – Melanie Hoff – Daniel Howe – I/O/D - Jodi – Chino Kim - Tobias Leingruber - Peter Luinning - Jonas Lund - Boris Müller - Helen Nissenbaum - Tim Laisted – Reithread - Rafael Rozendaal - Jeffrey Shaw - Jason Skeet - Stanza Thomson & Craighead - Maciej Wisniewski - Mushon Zer-Aviv

Andy C. Deck
In:
Net-condition : art and global media; [for the exhibitions art and global media and net-condition 1998/99 ...] / Steirischer Herbst, Graz, Austria. ZKM, Center for Art and Media, Karlsruhe, Germany; The MIT Press,  Cambridge, Mass., London, England. Ed. by Peter Weibel and Timothy Druckrey. [Transl. by: Richard Watts ...]. - Cambridge, Mass. [u.a.] :  MIT, c 2001. - 398 S. : überw. Ill. - ISBN 0-262-73138-X
Signatur: C Gra9 2023

Constant Dullaart
In: 
You are here : art after the internet / edited by Omar Kholeif. - Manchester : Home (formerly Cornerhouse), 2014. - 253 Seiten : Illustrationen. - Beteiligte Personen: Basel Abbas, Ruanne Abou-Rahme, Sophia Al-Maria, Sam Ashby, Jeremy Bailey, Stephanie Bailey, Erika Balsom, Zach Blas, James Bridle, Jennifer Chan, Tyler Coburn, Michael Connor, Model Court, Jesse Darling, Brian Droitcour, Constant Dullaart, Ed Halter, Omar Kholeif, Gene McHugh, Lucia Pietroiusti, Jon Rafman, James Richards, Başak Senova, Jamie Shovlin, Brad Troemel. - ISBN 978-0-9569571-7-7
Signatur: Fkc 1020

Exonemo 
In:
Reactivity: Unpredictable past : [NTT, August 20-October 17, 2004; artists: 0100101110101101.org: Mathieu Briand, exonemo: Kuwakubo Ryota, Christian Marclay, Amit Pitaru, portable[k]ommunity]:Eddo Stern, Du Zhenjun] / [Ed.: Rumihiko Sumitomo, ...]. - Tokyo : NTT, 2004. - 111 S. : zahlr. Ill. - ISBN 4-7571-7026-2
Signatur: C Tok9 2023

In: https://drive.google.com/drive/folders/1zxtbWQmnr21aoRjQebZjIKXWDu0zJgZD

Melanie Hoff
In:
Cyberfeminism index / edited and gathered by Mindy Seu. - Los Angeles : Inventory Press, [2022]. - 606 Seiten : Illustrationen. - INHALT: "In the early 1990s, the term "cyberfeminism" came into use as a way to describe feminist critique, theorization, and a general reimagining of the internet and new media. In designer Mindy Seu's telling, it "was meant as an oxymoron or provocation, a critique of the cyberbabes and fembots that stocked the sci-fi landscapes of the 1980s." The history of the internet is stocked with rundowns of engineering marvels, the military-industrial complex, and profiles of the grandfathers of the architecture and protocol. But the internet is not only a network of cables, servers, and computers. It is, crucially, an environment that shapes-and is shaped by-its inhabitants. Throughout these pages, scholars, hackers, artists, and activists consider how humans might reconstruct themselves by way of technology. Comprised of over 1000 short entries of radical techno-critical activism and edited collections of foundational and influential works from the movement, Cyberfeminism is both a resource and a sociopolitical act. Contributors include curator Legacy Russell, artist Melanie Hoff, artist-bio-hacker Mary Maggic, Sonic Cyberfeminisms founder Annie Goh, guerilla theorist Neema Githere, and others. Both a vital introduction for laypeople and a robust resource guide for educators, Cyberfeminism-and anti-canon, of sorts-celebrates the multiplicity of practices that fall under this imperfect categorization and makes visible cyberfeminism's long-ignored origins and its expansive legacy". - ISBN 978-1-941753-51-4
Signatur: Gi 6666

Daniel Howe
In: 
A architetura da associação Bill Seaman e Daniel Howe / editorial coordination: Angélica de Moraes. - São Paulo : Museu da Imagem e do Som (MIS), 2008. - 35 Seiten : Illustrationen. - ISBN 978-85-7060-622-8
Signatur: B Sea50 0003

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Jodi
World wide wrong - Jod : [August 27-October 22, 2005] / Text: Annet Dekker. Netherlands Media Art Institute Montevideo/Time Based Arts. - Amsterdam : Neederlands Instituut voor Mediakunst, 2005. - [4] S. : Ill.
Signatur: B Jod35 0002

Boris Müller 
In:
Algorithmen & Zeichen : Beiträge von Frieder Nake zur Gegenwart des Computers / Jan Distelmeyer, Sophie Ehrmanntraut, Boris Müller (Hg.). - Berlin : Kulturverlag Kadmos, [2021]. - 351 Seiten : Illustrationen, Diagramme. - ISBN 978-3-86599-484-4
B Nak16 0004

Helen Nissenbaum
In: 
Values at play in digital games / Mary Flanagan and Helen Nissenbaum. - Cambridge, Mass. [u.a.] : MIT Press, c2014. - Literaturverz. S. [179] - 191 und Index. - ISBN 978-0-262-02766-3
Signatur: Hg 5307

Rafael Rozendaal
In: 
Flatlands : reader / project developed, edited and designed Nuno Patrício. - [San Francisco] : O Fluxo Editions, [2020]. - 266 Seiten. - INHALT: Faltland is a continus feed of online content exploring art for online audiences. Flatland Reader marks the closure of the flatland project gathering an overview of the articles published online as well as many other exclusive features, including Aaron Graham, Anne de Vries, Brad Troemel, Christopher LG Hill, Constant Dullaart, Couple (Adam Cruces & Louisa Gagliardi), Domenico Quaranta, Ed Fornieles, Harm van den Dorpel,  Jon Rafman, Keith J. Varadi, Rafaël Rozendaal, Antoine Donzeaud, Bora Akinciturk, Hotel Art (Loney Abrams & Johnny Stanish), Ilya Smirnov, Jack Self, Jakub Choma, Konstanet (Keiu Krikmann & Epp Olekõrs),  Matthew Raviotta, Michael Assiff, Natalya Serkova, New Scenario (Paul Barsch & Tilman Hornig), Nuno Patrício, PANE Project (Lucia Leuci), Ricardo Martins, Something Must Break (Monia Ben Hamouda & Michele Gabriele), Sydney (Conor O’Shea), Timur Si-Qin, The Swan Station (Luca Pozzi), 63rd-77th STEPS (Fabio Santacroce), Vaida Stepanovaite, Zoë De Luca.- ISBN 978-1-714-56462-0
Sigantur: Kbf 0118

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Jeffrey Shaw
Jeffrey Shaw - pioneering the new media experience / Anne-Marie Duguet ; edited by Jeffrey Shaw. - Shanghai : CAC, Chronus Art Center, [2015]. - 15 Seiten, 73 ungezählte Seiten, in Schachtel + 1 USB-Stick an Kette 
Signatur: B Sha90 0006

In:
Pantalles sensibles : videoart dels anys 90 : exposició organitzada per la Fundació "La Caixa" : Centre Cultural de la Fundació "La Caixa", Lleida del 29 de gener al 10 de març de 2002, Sala Girona de la Fundació "La Caixa", Girona del 5 d'abril al 26 de maig de 2002 / coordinació: Núria Faraig ; autors dels textos: Neus Miró, Peter Weibel. - Barcelona : Fundació "la Caixa", [2002]. - 83 Seiten : Illustrationen. - Expositores: Javier Codesal, Pipilotti Rist, Sam Taylos-Wood, Marijke van Warmerdam, Smith/Stewart. - Text en català i castellà. - ISBN 84-7664-757-3
Signatur: Fgb 2100

Net-condition : art and global media; [for the exhibitions art and global media and net-condition 1998/99 ...] / Steirischer Herbst, Graz, Austria. ZKM, Center for Art and Media, Karlsruhe, Germany; The MIT Press,  Cambridge, Mass., London, England. Ed. by Peter Weibel and Timothy Druckrey. [Transl. by: Richard Watts ...]. - Cambridge, Mass. [u.a.] :  MIT, c 2001. - 398 S. : überw. Ill. - ISBN 0-262-73138-X
Signatur: C Gra9 2023

net_condition : Kunst/Politik im Online-Universum; [Ausstellung Netc̱ondition. Art and Global Media] 23.09.1999 - 09.01.2000 / [ZKM, Zentrum für Kunst und Medientechnologie. Red. Annika Blunck. Texte Gabriele Blome ...]. – Karlsruhe : ZKM, 1999. - 44 S. : Ill.
Signatur: C Kar4 2090

Stanza Thomson & Craighead
In: 
I was raised on the internet / Museum of Contemporary Art Chicago. - Munich ; London ; New York, NY : DelMonico Books Prestel, [2018]. - 180 Seiten : Illustrationen Published on the occasion of the exhibition "I Was Raised on the Internet", organized by the Museum of Contemporary Art Chicago and presented in the Griffin Galleries of Contemporary Art and the Turner Gallery, June 23 - October 14, 2018. - INHALT: "A speculative reader about contemporary artists engaging with digital technology. Includes essays by Michael Connor, James Bridle, Cadence Kinsey, Nina Wexelblatt, and Orit Gat and short provocations by DIS, Olia Lialina, Joanne McNeil, Monira Al Qadiri, Trevor Paglen, Simon Denny, Jeremy Bailey, Heather Phillipson, Martine Syms, Jon Thomson and Alison Craighead, Jared Quinton, Zach Blas, and Aria Dean". - INHALT: Essays. I Have Nothing to Say and I'm Saying It : Corporate Turns on the Internet / by Michael Connor. - The Relatable Web / Orit Gat. - Provocations. Untitled / by DIS. - Being and Continuation : An Addendum / by Aria Dean. - ISBN 3-7913-5802-2
Signatur: C Chi2 2010

The Nuclear Culture Source Book : [accompanies the exhibition "Perpetual Uncertainty" at Bildmuseet, 2 October 2016-16 April 2017] / ed. by Ele Carpenter. - London : Black Dog Publ., 2016. - 207 S. : zahlr. Ill. - INHALT: The Nuclear Culture Source Book' serves as an excellent resource and introduction to nuclear culture as one of the most prominent themes within contemporary art and society, exploring the diverse ways in which post-Fukushima society has influenced artistic and cultural production. The book brings together a wide-ranging collection of material from artists and writers working within the scope of nuclear culture internationally, including works by renowned practitioners such as Lise Autogena, Thomson & Craighead, Crowe & Rawlinson, David Mabb, Katsuhiro Miyamoto, Kota  Takeuchi and Chim-Pom. Building on four years of research into nuclear culture by the book s editor, Ele Carpenter, "The Nuclear Culture Source Book" features contributions by over 60 artists including spectacular imagery of nuclear sites taken on artist field trips, from underground research laboratories in Japan to the Faslane Trident base.  00Contextualising this is a series of essays by international arts and humanities scholars and writers including: Timothy Morton writing on radiation as a hyperobject; Peter C van Wyck on the nuclear anthropocene; Noi Sawaragi on Fukushima; and Susan Schuppli on nuclear materiality. 00Published in partnership with Bildmuseet, Sweden and Arts Catalyst, London. - ISBN 1-911164-05-8
Signatur: C Sto2 2007

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