Group 3 | Film, Language and Reality: How Does a Movie Move?

A

Mathew Abbot
»Against Moral Blindness | The Look of Silence and the Problem of Monstrosity«

B

Anna-Maria C. Bartsch

»Disgust in philosophical film theory«

Lucy Bolton

«”Love is the extremely difficult realisation that something other than oneself is real” | Moral Realism in "Once Upon a Time in Anatolia"«

E

Tobias Eichinger

»Adding reality to reflection | Documentary film narratives in the bioethical discourse«

F

Sonia Front

»It’s the new me | Multiple Realities in Duncan Jones’s Source Code«

G

Mauricio Gonzalez

»Res Nullius in film. Towards an ethos of »second technology« | On the wake of some cuts in Glauber Rocha«

H

Katia Hay
»Film, Reality and Repetition«

J

Andreas Jacke

»Experiencing Fear and Angst - their Psychoanalytic Meaning and Interpretation through the Theoretical Reception of Contemporary Fictionary Films

R

Orna Raviv

»Who is the Cinematic Other?«

Richard Rushton

»Three propositions on filmic reality«

S

David Sorfa

»The Reality of Preston Sturges, or, The Realists, They Are a Funny Race«

Philipp Schmerheim

»The Real of the Database | The World of Film Transformed into Code«

T

Maria-Teresa Teixeira

»Time and Film«

Bodil Marie Stavning Thomson

»Lars von Trier's diagrams of affect 1990s till 2014«

W

Flannery Wilson

»The Ethics of Visual Storytelling | A promise to deceive«