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Group 5 | Ontology of the Cinematographic Body

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With which kind of presence do we have to deal in film? What exactly is the being of film and the being-in-film? And which kind of entanglement between body and film is happening in cinema?

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Sabin Bors
and Kurt Hentschläger’s "KARMA"«" href="/node/2840">»Embodiment and Gravity | Kinematographic Bodies,
Incorporated Eyes and Karmic Environments in Gaspar Noé’s "Enter the Void" 
and Kurt Hentschläger’s "KARMA"«

 

Diana Bulzan
»The Materiality of Film and The Inscription of the Gaze in Peter Tscherkassky’s "Outer Space"«

F

Barbara Filser

»The Body and the Filmic Image – the Body of the Filmic Image«

 

 

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