Ausstellungen & Bibliografie Douglas Davis
Einzelaustellungen
| 1976 | Galleria Forma, Genua |
| Institute for Art & Urban Resources, New York | |
| 1977 | Ronald Feldman Fine Arts, New York, Seven Thoughts, 05.–26. März |
| Questions New York Moscow New York Moscow (with Komar & Melamid), Ronald Feldman Fine Arts, New York | |
| The Washington (D.C.) Project for the Arts | |
| North Carolina Museum of Art | |
| Des Moines Art Center, Iowa | |
| Whitney Museum of American Art, New York | |
| 1978 | Neuer Berliner Kunstverein |
| 1979 | Galerie Stampa, Basel |
| Folkwang Museum, Essen | |
| 1980 | Ronald Feldman Fine Arts, New York, Silver Screen |
| Institute for Art & Urban Resources at P.S.l, New York | |
| Jack Rasmussen Gallery, Washington, D.C. | |
| 1981 | Ronald Feldman Fine Arts, NewYork, Downtown/Uptown |
| Whitney Museum of American Art, New York | |
| Centre Georges Pompidou, Paris | |
| 1982 | Museum Sztuki, Lodz, Poland, travels to Union of Polish Art Photographers Gallery, Warschau |
| 1983 | Wadsworth Atheneum, CT, MATRIX 83, 05. Februar–20. März |
| 1985 | Ronald Feldman Fine Arts, New York, Beyond Photography |
| 1988 | Solomon R. Guggenheim Museum, New York, Douglas Davis |
| 1989 | College Art Association, Little Rock, Arkansas |
| 1991 | Centro de Arte y Communicacion-Harrod's en Arte, Buenos Aires |
| 1992 | Ronald Feldman Fine Arts, New York, Redness |
| a new room, June 20-July 17 Maryland Art Place, Baltimore |
Gruppenausstellungen
| 1970 | Smithonian Museum of History and Technology, Washington, D.C., The Sun |
| Finch College Museum of Contemporary Art, New York, Projected Art | |
| 1970-71 | Reese Palley Gallery, New York |
| 1971 | University of California Museum in Berkeley, Video Free America |
| Finch College Museum of Contemporary Art, New York, Ten Videotape Performances | |
| Whitney Museum of American Art, New York, Videotape Art | |
| 1972 | The Kitchen, New York |
| Everson Museum, Syracuse, New York | |
| Rijksmuseum, Amsterdam, Holland | |
| 1973 | The Kitchen, New York |
| Saint Jude Invitational, Da Saisset Museum, University of Sant Clara, CA | |
| 1974 | Galerie St. Germaine, Paris, Editions Video Distribution |
| Galerie Impact, Lausanne, Switzerland, Video/Art/Impact | |
| Kennedy Center for the Performing Arts, Washington, D.C., Art Now '74 | |
| Kunstverein and Kunsthalle, Cologne, Project '74 | |
| Galerie P.O.O.L., Graz, Austria,Art as Living Ritual | |
| Musee de l'Art Modeme de la Ville de Paris, Art/Video Confrontation | |
| 1975 | Centro de Arte y Communicacion, Buenos Aires |
| Idea Warehouse, Institute for Art & Urban Resources, New York | |
| Stefanotty Gallery, New York | |
| San Francisco Museum of Modern Art, San Francisco | |
| Institute of Contemporary Art, Philadelphia; Museum of Contemporary Art, Chicago; Cincinnati Art Museum, Video Art | |
| Whitney Museum of American Art, New York, Projected Video | |
| Sao Paolo Biennale, Brazil | |
| 1976 | Venice Biennale, Italy |
| Cracow Biennale, Poland | |
| Project Studios One (Institute for Art & Urban Resources), New York | |
| Bologna Art Fair, Italy | |
| 1977 | Venice Biennale, Italy, Dissident Art (with Komar & Melamid) |
| Georgia Museum of Art, Open to New Ideas: A Collection of New Art for Jimmy Carter | |
| Documenta 6, Kassel | |
| Blaffer Gallery, University of Houston, Video Installations | |
| Whitney Museum of American Art (Biennial), New York | |
| 1978 | High Museum of Art, Atlanta, GA, Prints in Series |
| Venedig Biennale | |
| 1979 | The Institute for Art and Urban Resources at P.S. 1, New York, The Altered Photograph |
| 1981 | The New Museum of Contemporary Art, New York, Altematives in Retrospect |
| 1982 | Whitney Museum of American Art (Biennial) The Metropolitan Museum of Art, New York, Counterparts: Fonn and Emotion in Photographs |
| 1983 | Whitney Museum of American Art, New York, Early Video Museum of Modern Art, New York |
| 1984 | Museum of Modern Art, New York, Video & Satellite |
| The New Museum of Contemporary Art, New York, NY, Language, Drama, Source, & Vision, 8. Oktober – 27. November | |
| Hirshhorn Museum, Artistic Collaboration in The Twentieth Century | |
| Hirshhorn Museum and Sculpture Garden, Washington, D.C., Content: A Contemporary Focus 1974-1984 | |
| Hayden Corridor Gallery, Massachusetts Institute of Technology, cam bridge, MA, On The Wall/ On The Air: Artists Make Noise, December 15-January 27 | |
| 1985 | Visual Arts Center, Anchorage, Alaska |
| Blaffer Gallery, University of Houston, Video Installations | |
| Whitney Museum of American Art (Biennial) | |
| 1986 | Venedig Biennale |
| 1988 | High Museum of Art, Atlanta, First Person Singular: Self-Portrait Photography 1840-1986 Contemporary Arts Center, Cincinnati, Ohio |
| Anchorage Museum of Art, Alaska, Here's Looking at You | |
| Daniel Wolf Gallery, New York, Photographs in Painting & Sculpture | |
| 1989 | Kunsverein Köln, Video Installation |
| 1992 | Max Protetch, A New American Flag |
Bibliografie
| Art & Future, Praeger, New York, 1973; Thames & Hudson, London, 1974; Dumont, Köln, 1975. |
| Artculture: Essays on the Post-Modern, Harper & Row, 1977. |
| Fragments for a New Art of the 70's, Los Angeles: Pape-Ruddy Art Associates, 1975. |
| Museum Transformed: Architecture & Culture in the Post-Pompidou Era, Abbeville Press, 1990. |
| Photography as Fine Art, Shueisha, Tokyo, 1983; E.P. Dutton, 1984; Hill Company, 1987. |
| he Five Myths of Television's Power (or Why the Medium Isn't the Message): Simon and Schuster |
| The New Television: A Public/Private Art. Edited by Douglas Davis (mit Allison Simmons). Boston, MA: MIT Press, 1976. |
| The World of Black Humor. New York: E.P. Dutton, 1968. |
| "Art as Act." Art in America, (März/April 1970). |
| "Artpolitics: Thoughts Against the Prevailing Fantasies." New York Arts Journal (Mai 1975). |
| "Art and Contradiction: Helms, Censorship and the Serpent." Art in America 78, no. 5 (Mai 1990): 55, 57, 59, 61. |
| "Due West: The Costakis Collection Comes Out." Art in America (November/Dezember 1977). |
| "For A New Aesthetic. The American Scholar, (Winter 1968/69). |
| "How to Go to A Happening." Washington Free Press (Oktober 15-31, 1969). |
| "Let Us Not Question." The American Scholar (Winter 1966/67). |
| "Look-Out!" (With Fred Pitts) Art Education (Oktober 1970). |
| "Media/Art/Media: Notes Toward a Definition of Form." Arts (September, 1971). |
| "Misunderstood." Art in America (Februar 1987). |
| "Modern New York Meets Post-Modern New York." Domus 632 (Oktober 1982): 77-79. |
| "Newclear Visions." Vogue (November 1984). |
| "Post Video I: The Satellite." TV Magazine, Pilot issue: 34-36. |
| "Presidential Candidates and the Arts." The New York Times, (Oktober 16), 1987. |
| "Random Notes on a New Television." Radical Software (Spring 1971). |
| "Red Diary." Village Voice (April 18, 1989), pp. 37-45. |
| "The Critic Now." Arts in Society 5, no. 2, 1968. |
| "Telvision Is." Radical Software, no. 2, 1970. |
| "The Idea of a 21st Century Museum." Art Journal (Frühjahr 1976). |
| "TheSizeofNon-Size." Artforum (Dezember, 1976). |
| "Video Obscura." Artforum (Oktober 1973). |
| "What is content? Notes Toward an Answer." Artforum (Oktober 1973). |
| "Washington Letter." Arts (Dezember 1969-Januar 1970). |